The tweaks are okay. Maybe not what I hoped for. With additions like this, you always risk of either disrupting the spontaneity of the original design or of creating new problems while fixing existing ones.
This piece ran the additional risk of spoiling the (possibly impressive) fact that it’s almost entirely pieced.
Anyway. The upshot is that my remediation, successful or not, has whet my appetite for learning. How come I never learned perspective? Really? And, maybe it’s time to learn how to manage transitions more skillfully by attending to color values.
I enjoy your wild sense of perspective & colour!
I agree, Ms. Mo Crow. I think it works as an image, color and composition, line and shape and energy! we even know what it is! I HATE doing buildings. I remember doing 1 and two point perspective in middle school. I love it. It is one of the few things I ever aced. Now, I can’t do it to save my life when I’m painting and it bugs the @*#* out of me – so I know how you feel, but this piece seems to me to work regardless. (Why a barn for a city guy?)
I wish acing perspective was more intuitive. Anyway, the quilt is inspired by Hancock so it makes sense for Billy to have it.
Your perfectionism is like an engine that never runs out of fuel. It’s a wonderful barn.
I think it’s more a thing that spikes here and there. But thanks.
Wonderful indeed! Your perspective is dynamic and charming.