And the winner is: Michelle! The scraps have already gone in the mail. It’s nice to send something back to Michelle given that she mailed me this delightful print not so long ago.
We got about four inches of snow yesterday, followed by rain, which made today’s walk treacherous. But! We are definitely at the time of year when you can begin to notice the lengthening of the days.
I reviewed a manuscript over a delicious lunch with a friend today. Such a nice way to do it. Not only because her memoir features a lot of personal loss, but because it’s a such an immediate and tangible thanks. I’ll have to remember that. Take your readers to lunch!
Tomorrow is my birthday. That’s me on the left. Nana Mallon in the middle. My sister on the right. I think it might’ve been the weekend of my First Communion. I can’t remember what was happening at the moment this picture was taken (it looks like Nana is pinching me? playfully, but perhaps a little too hard?), but I do remember her cautioning us against eating jelly donuts outside because the bees visiting the red tulips in the foundation beds might fly right down our throats. (Posted previously 8/16. Having trouble grabbing the link).
And after that snippet, who doesn’t need a little fairy tale? Isn’t she lovely?It’s from “East of the Sun, West of the Moon” by Mercer Mayer. I just searched (and searched) for and couldn’t find the illustrator. Does anyone know?
Try to answer the question ‘what is art’ and find half your audience in a narcoleptic stupor in a heartbeat. But ASKING the question and PLAYING with it in your hands and your lens and your canvas, is a fiery, soulful exercise.
If you make collage using magazine images, you can’t help but feel a little sheepish about matters of originality. When is borrowing theft? And, how important is endurance, anyway? Fade, fade, fade.
I made and framed this collage about thirty years ago. I can’t remember if it’s under archival glass or not (probably not. I was a law student paying for tuition with loans). Does the fact that I covered and cut the images of an artist’s clay masks turn them into ‘my’ work. Probably not, which is likely why I’ve kept this framed piece to myself all these years.
But now — look at the light angling across the glass! The light adds its commentary, without my authorship, and changes the stolen images yet again. Does my capture NOW make it more ‘mine’? And if paper is ephemeral, what is light passing over paper — even if captured in a photo?
“Light eats cloth” commented Mo yesterday. Fade, fade, fade.Part of me shrugs — or even yells a New Mexico YES — because maybe that is part of the point — this mixing up of signature with indices of time.
I once sent a piece of patchwork to Grace in New Mexico. I had pulled some inner knots tight and didn’t know how to undo them. It seemed a simple thing to ship cloth west. I got energized by the idea of some fabric I had pieced together being touched by her, being blasted by the desert sun and sniffed at by goats.
The exercise gave me this idea of shipping sections of patchwork around the world, and asking others to let the elements ‘do their thing’, then return them to me so that I could piece them together into a more meaningful Global Warming quilt than I’ve made to date. (Still just an idea).
Jude plays at these edges all the time. Think – Magic Feather cloth, which gathered up hand sewn bits from all over the world, stitching a community together in the process (and a masterpiece cloth). Think of her play with light and shadows. A recent post showed one of her spectacular quilts with a shadow of her hand splayed over one side. Is the work the photograph of Jude’s hand casting a shadow on the quilt? Or the brief event of the shadow? Or is it ‘merely’ the cloth afterall, but now with a memory of the shadow?
Enough words. Time for a run to a garden center. It is an absolutely stunning day and I have both boys home!! Happy Mother’s Day to me!!! And Happy Mother’s day to all of you. We all mother something — ourselves, our pets, our ideas, and some of us, children.