It’s raining again so I’m glad I got in a couple of walks this weekend, including one around Mount Auburn Cemetery. The fall plantings at the cemetery were full of both color and texture. Just gorgeous.

On our local loop, we came across another dead flicker. It’s upsetting. What is going on?

I also made progress (I think?) on about four or five small quilts. Located one more of the infamous tulle-covered “potholders,” so was able to cut out two more rows of houses. More on that tomorrow.

Can I just tell you it’s swampy here? Even when the dew point drops to a tolerable level, the soggy atmosphere and landscape are, well, noticeable.

It’s like living in a fish tank. The sky darkens for the third time today to deliver more rain.

I’m not complaining really I’m not. Not when Greece is under water, Libyans search for the dead after two dams burst, and the Atlas Mountains will soon snow on entire communities recently made homeless by an earthquake.

Owls, traditionally associated with Athena, symbolize both wisdom and death. My sister loved them. It made buying her little mementos from my travels easy because somehow owls are everywhere — on mugs, placemats, statues, and puzzles. Picking up these trinkets was one of the few things I did to accommodate her neediness that I didn’t mind.

Now those owls live here. They’re all over the place.

Last week a scrap of paper sandwiched between two sheets of contact paper appeared on the hall rug upstairs. The Virgin and Child. Huh?

At first I thought it was of the many prayer cards that I brought home from Assisi. They have a way of turning up at odd times and in odd places too.

But no. The back revealed a newspaper article which told me this was made by my sister. Cutting pictures out of magazines and newspapers was her only real creative practice in the end. I remember thinking it weird, as in deficient, that she never DID anything with her cut outs. Lately, however, I’ve begun to see the scouting and collecting as a kind of art form in itself.

I know I’ve shared other times my sister’s made “visitations” — the shattered blue Pyrex dish, her large painting falling like a guillotine. How narrow the evasion of harm! With the appearance of Mary and the Christ Child, can I assume we’ve entered a new, softer phase, perhaps one rife with atonement?

But whose, you ask — whose atonement?

Being in Salem this weekend allowed me to notice a change. How memory is fading. The relief of that. There was a time not too long ago when just driving by her exit, never mind sitting down and having lunch at the end of her street, would have tightened my chest and filled me with dread. I’d feel hints of the weary exhaustion that went hand in hand with our visits. Every visit.

That seems to be muted now.

The patchwork I was piecing as a base for a village quilt was supposed to be incidental, more frame than subject. But I liked it too much. So I let it get bigger. Stand on its own.

Meanwhile, here is the appliquéd rectangle both before and after cutting.

I may opt for machine stitching in the construction of these small compositions. Between the felt backing and the inclusion of batiks and upholstery fabrics, I’m not sure my fingers are up for the needlework.

That clever mask: made by lisa@bowtie.com.

But look at that hair! Ugh. I always wear it up so what’s the point of having it long really? I may just bite the bullet and go short again. My aversion to the idea has generally been that a short do requires maintenance. Not more maintenance, but any maintenance. I used to flinch at the cost too but that is less of an issue now.

It continues to be muggy here, though temps have fallen. We notice Finn slowing down on days like these and maybe in general. He turned NINE this summer which is hard to believe.

Child’s chair repaired. K is really good at this kind of thing. Problem though? When I tried it out, I was simply checking for proportions and it turns out that a lack of padding makes it pretty uncomfortable. So we’ll see.