Category Archives: Entertainment (mostly TV)

The American Dream

Drawing from a few years back

When my younger son was in high school he wrote an essay entitled, The American Dream is Dead.

This was before Trump. However, it was already evident that he and his brother might not be able to afford a home without substantial help from us. It was also clear that a college degree might not be the ticket it once was. Not only that, but the climate crisis was accelerating with no apparent political will to do with anything about it.

The American dream was always conditioned on white privilege, on inherited wealth, on the color of one’s skin, on where one was born — I’m saying the same thing over and over again, aren’t I?

Still, I think we can agree that we used to live in a country with a thriving middle class where at least some offspring could reasonably expect to do better than their parents economically, could rationally anticipate that they might live longer than their parents, and could expect without resorting to fantasy that they would have a healthy environment to pass on to their kids.

I grew up in the white suburbs in the 60’s and 70’s — a member of the Jones generation (tail-end Boomer with a lot in common with Gen X). Both of my parents were first generation college-goers. Both of them, through hard work and decent educations (and white privilege) surpassed their parents by almost any measure you can devise (except longevity — a story for another time). That I would go to college was baked in. My degree in English (with a focus on medieval literature, of all practical things) garnered me a professional job in radio. That’s what we expected. That’s what we got.

Now? My boys were alive on 9/11. They watched us worry our way through the financial meltdown of 2008. They saw how we had to remortgage the house to afford college. More recently, they’ve experienced (up close) wildfires and drought. Even though my older son makes more money than I did as a first year associate at a swanky downtown law firm in the 90’s, he can’t afford to buy a home. The other son is finishing up his degree in communications and worries how many vocational avenues will be foreclosed by AI.

All of this to say, The Moonwalkers, movingly loud, visually gorgeous, and packed with information was hair-raising and inspiring and made me deeply sad.

I was riven with a painful nostalgia watching a country celebrate the moon landing. I teared up thinking of all the expertise that came together to make such a seemingly impossible feat possible. You couldn’t help but wonder if such a mission would be feasible today. With the GOP’s wanton expulsion of expertise in every scientific field, I’m doubtful. In fact, I’m not sure we can still accurately forecast the weather, for Christ’s sake.

At one point my husband pointed to the glowing exit sign on one of the surround-screens and quipped, “That’s how you know it was fake.” A perfect joke.

Let’s end on an upbeat note, shall we?

It turns out that Tom Hanks, a year older than us, was a real space aficionado as a kid. His recollections added a personal dimension to our shared history — like the time he tried to simulate being in space by grabbing a couple of bricks, arranging the garden hose so he could breathe through it, and sinking to the bottom of their 3-foot above-ground pool. He recounted his devoted position in front of the TV again and again. We could relate.

So much to remember! Those clunky-looking TV’s. How viewing was a shared experience. The trust we had in Walter Cronkite and John F. Kennedy, voices so familiar to those of us of a certain age.

We plan to rewatch Apollo 13 sometime soon.

2/14/25 Boston Common

In spite of cold temps and intermittent gusts of wind blasting in off the Atlantic, the Valentine’s Day protest on Boston Common was well-attended. Three hundred? Maybe more? Ken thought five, but that seems a little high to me.

Such is my life that when Sarah Kendzior liked the photo of her quote that I posted on Bluesky, it was a little thrill.

The Embrace might be growing on me.

We’ve been rewatching the HBO series JOHN ADAMS. It opens with the Boston Massacre, so I wanted to go honor the five fallen men from that day, but the Granary Burial Ground was closed. It looked like pure ice in there.

The HBO show is really well-acted with lots of local scenery, but it’s a strange time to be watching. It’s not a balm or a distraction, that’s for sure. “A Republic, if you can keep it,” Ben Franklin famously utters.

The birth of independence. The sacrifices. The wrangling over how to express our ideals. Not perfectly done, but still.

All to get out from under the tyranny of a king.

Tonight I went to a birthday party. A small, warm gathering with interesting folks and good food. Snow falling outside.

In a living room full of eight people that I was meeting for the first (maybe second) time, SIX of us had attended the protest the day prior. Six! I’m not sure why, but that really made me feel good.

PS I understand needing to step away, take breaks. I hope our community holds though. It means the world to me.

Here is Marti’s sweater and pin for tomorrow.

Ava DuVernay, Origin

If you haven’t heard, Ava DuVernay has a new film out based on Isabel Wilkerson’s book CASTE. DuVernay made the interesting decision to center the telling of this book’s important messages around the figure of the author herself. I can’t wait to see it.

This interview with Lawrence O’Donnell aired last night (1/25/25).

And here’s a recent New Yorker interview:

Ava DuVernay Wants to Build a New System

One notable takeaway is that DuVernay did not produce ORIGIN through standard Hollywood channels because she believes getting this movie in front audiences this year really matters.

Writing this I was reminded of a small series of collages I made featuring a magazine photo of her a while back (photo probably from Vanity Fair). There was no attempt to represent the content of her work. It was more a visual celebration of the lushness of creativity and also the beauty of her curves. December 2022.

I’ve been meaning to watch her movie Selma for a dog’s age and since I want to watch it before posting notes from our trip there, maybe today’s the day.

It’s raw and rainy here and I am inexplicably tired though, so maybe tomorrow’s the day.

In other collage news, I’ve been noodling around with more cover and title ideas for my novel.

Title: Calico Burning? / SC marsh photo mine
My photo of McLeod Plantation behind
My photo of the famous Angel Oak

The novel has two important scenes featuring a calico dress hanging from a live oak tree, one in which it is set on fire. I worry that being so (intentionally) similar to images of lynching that it is too triggering to even consider. What do you think?

Two books and a movie

First the movie: Midnight Run. I’ve probably seen this film five times and it always makes me laugh my ass off. This clip has one of my very favorite movie lines of all times. It’s at the very end. Clip is just over a minute — 1:06.

Not that you need to know, but Charles Grogan plays an accountant who unwittingly works for the mob in Chicago. Once he finds out, he steals millions from them and gives it to charity. He’s been indicted and is out on bail.

De Niro plays a former cop, also from Chicago, who left because he was unwilling to take bribes. He now works as a bail bondsman in Los Angeles and has been tasked with bringing Grogan in.

The books: a novel by Maggie O’Farrell, The Marriage Portrait and short stories by George Saunders, Tenth of December.

Historic fiction set in Italy in the 16th century

I finished The Marriage Portrait but found it to be a bit of a slog. I love this writer (this is the fifth book of hers that I’ve read) and I will continue to read her, but here she indulged in too much description of nature and interior moods. It didn’t help that the two time lines made you work a bit to keep track of things.

The NYTimes reviewer agreed with me, although he is much more critical. He wrote, “it … went in for lush atmospherics, for a lot of rustling leaves” and “[m]urder and unwanted sex are primal drivers of narrative … [but] the characters are so one-dimensional and overwrought that the force of neither driver lands.”

It’s strange to come to this conclusion when some of the descriptions that were TOO MUCH were written with gorgeous prose.

It was interesting, by the way, to read a novel that does what I have been criticized of doing. Have I mentioned this before? I like atmospherics and can go on for pages (the light on the river, dusk gathering in the dewberry bushes, etc) leaving the plot (what plot?) to languish. In my third major edit, I searched the word “clouds” in order to strike out more than half of the (endless) descriptions of the sky.

Now Saunders I read because he really knows how to play with form (think: Lincoln in the Bardo). He does so here with a lot of skill, even inventing a grammar for one of his characters (see below). Didn’t love these stories however and that may be a question of preference — the reliance on dystopian plots and details just didn’t grab me. Sometimes I’m a fan of that. Not here.

What were two of the best books you read in 2023?

A good day to…

It’s a good day to finish this little Village Quilt. I’ll fold the top edge over for a dowel sleeve and trim the edges. I ended up putting a layer of cotton batting in this one.

Also a good day to put garden things away and bring more plants indoors. Pillows and rugs are out for sun and air. I wiped away the mold lining the plastic rails of one section of the deck (only eight sections to go). Vacuumed the downstairs and wiped crud off a few kitchen cupboards.

But here’s the thing about domestic chores: they satisfy the soul; they enhance the peace of one’s space; they make one feel virtuous. At a time of horrific news, it’s hard not to think of these jobs as anything but privileges.

Speaking of homes. The wasp’s nest that I found recently seemed, at first glance, completely dried out and empty. After several days of rain, this morning I picked up the now-soggy structure and saw the tip of a wasp head. By squeezing, not unlike releasing cloves from a baked head of garlic, a body emerged. There were many more.

I don’t think I did anything to speed their demise but I’m not really sure. It’s been just sitting outside since I picked it up, just as it would’ve sat on the median strip of grass had I not picked it up. Anyone know these things?

K and I watched The Burial last night. Great characters, based on a true story, one about the little guy taking on the big, fat, greedy, smug, rapacious corporate guy. Who doesn’t love a David and Goliath story?

We have sun today after a pounding rain yesterday. I performed my usual neighborly duty of pulling amassed leaves from the sewer grate at the bottom of our street’s hill. Water collecting there can and has reached our basement. By the time I got out there, the water was three-four inches deep. Talk about satisfying jobs!

One tug, two, twelve — fistfuls of wet leaves tossed to the median in great splats until one eddy formed, and then another, and then a great onrush of water into a now echoing, revealed sewer. The puddle cleared in about ten minutes.

Clip from The Burial is 2m long and please know I don’t expect people to necessarily view it. I like to save these things for my own sense of things. It’s a wonderful monologue though and speaks to so much of what is wrong with the right wing’s critiques of CRT, their book burning, etc.

Believe me, I know that “etc.” is doing a lot of work here.