Tag Archives: Collage

Ava DuVernay, Origin

If you haven’t heard, Ava DuVernay has a new film out based on Isabel Wilkerson’s book CASTE. DuVernay made the interesting decision to center the telling of this book’s important messages around the figure of the author herself. I can’t wait to see it.

This interview with Lawrence O’Donnell aired last night (1/25/25).

And here’s a recent New Yorker interview:

Ava DuVernay Wants to Build a New System

One notable takeaway is that DuVernay did not produce ORIGIN through standard Hollywood channels because she believes getting this movie in front audiences this year really matters.

Writing this I was reminded of a small series of collages I made featuring a magazine photo of her a while back (photo probably from Vanity Fair). There was no attempt to represent the content of her work. It was more a visual celebration of the lushness of creativity and also the beauty of her curves. December 2022.

I’ve been meaning to watch her movie Selma for a dog’s age and since I want to watch it before posting notes from our trip there, maybe today’s the day.

It’s raw and rainy here and I am inexplicably tired though, so maybe tomorrow’s the day.

In other collage news, I’ve been noodling around with more cover and title ideas for my novel.

Title: Calico Burning? / SC marsh photo mine
My photo of McLeod Plantation behind
My photo of the famous Angel Oak

The novel has two important scenes featuring a calico dress hanging from a live oak tree, one in which it is set on fire. I worry that being so (intentionally) similar to images of lynching that it is too triggering to even consider. What do you think?

Triple jack

You’re not gonna believe this. Before the excavator-mounted jackhammer could finish clearing out the new basement hole four doors up, a crew at their neighbors across the street started foundation work with a hand-held jackhammer. And tomorrow, a site that was cleared today (bye, bye Fortune Panda!) will begin jackhammering. It is five doors down in the other direction. That hole is gonna have to be deep enough to accommodate parking for the twelve-apartments that they’ll be building on top of it.

Seven a.m. is when the percussive banging started every day this week. The throatier, more intermittent hand-held jackhammering started at around one and went til five.

We might need to leave. It’s really possible.

Finn and I escaped briefly in some nearby woods. It was otherwise a spectacularly beautiful day.

The stone being jackhammered, I may have mentioned, is Roxbury Puddingstone (or conglomerate). This morning I looked it up. Among other things I learned that Roxbury was once called “Rocksbury.”

This is nerdy of me, I know, but I found the geology interesting — or rather, I liked the feel of these words in my mouth. Such a wholly other vocabulary. Even though the words don’t mean all that much to me, I’ll bet this Wikipedia excerpt would make a great writing prompt.

Because of the noise, I was once again relegated to the basement for a zoom session. My chair sits near a bureau piled high with magazine pages and collage supplies and so while waiting for class to begin I found myself gluing shit down, playing. The first one is another Two of Pentacles, I think.

The second one (above) is commentary about the climate crisis, which I also ended up writing about.

Pix of trial and error

First semi-successful gelli plate magazine transfer
Magazine page after failed transfer

A fourth Amherst Writers’ circle today. Zero meetings next week. Change of rhythm. Special counsel appointed. Dingdong’s hat in the ring. Dogs walks while wearing hat and gloves. Twitter sputtering, me grieving. Reading a great memoir. Watching Derry Girls. Gave up on 1899. Pretty low energy here – sorry! Black bean soup last night. Tonight a roast chicken. Planning a pumpkin cheesecake. Extreme gratitude for a new beta reader. One hundred pages in. Good questions. Back hurts but it’s time to rise and shine!

Copyright over on Instagram

Paris Collage image plus Nat Geo photo of famous free climber Alex Honnold

As you know, I routinely use magazine cut outs in my collages — National Geographic, Vogue, Living Magazine to name just three. I also use screen shots.

I think because I’m not selling my work, copyright issues have never come up. However, this week a montage of recent collages got this weird notice on Instagram about 71 nations banning my reel.

Huh? I assume the Paris Collage Club pictures do not trigger copyright claims nor, obviously, do my own photos. When I looked over the slideshow what stood out were photos of Jared and Ivanka. Is someone scouring the internet looking for unflattering pictures of them?

Screen shots used in montages

I’ll post video here just to see what happens. I have transformed the duo’s images in a way that arguably skirts copyright problems. I don’t know. I don’t really think about this stuff much.

By the way, this spooky portrait shows up in the Jared/Ivanka Monster series. I love it so much and I wish I’d noted who the photographer was. Cut out years ago.