Category Archives: Amherst writers method

Writing prompts — 9/25

Below are fragments that I jotted down while listening to others’ writing. Some are direct quotes, others not. Attribution by initials and used with permission.

To use as a writing prompt, select one and set a timer for 30 minutes. And then just write. Keep the pen moving.

Sometimes you can’t make it up. MT.

Occasionally, her mind flickers to that man. OV.

Mostly, we are stumbling. I am stumbling. LT.

The emptiness of the streets surprised me. SH.

To be on a journey is to live on scraps and to not feel at home. MR.

Will the haunting never end? EL.

Some things don’t wait for you. OV.

I’m wondering when the reckoning will come. LT.

Why does hair have to be so complicated? EL

There’s no good way to measure what this winter did to us. MT.

A photograph doesn’t lie, until it does. MT.

Everything feels like prophecy today. SH.

How do you imagine the backyards of your childhood? MR

She was just starting to get it. LT.

My dad once said to me… MR

We deprive ourselves by always looking for the best. SH.

Lately death had been nagging at her. EL.

There’s a delicious quality of observation. Not a voice of conclusion. CC of LT

She realized that she had nothing to say. She was, however, impeccably dressed. MT.

How do you reach anyone anymore? MT

She had learned the art of repression and it had helped her in emergencies. LT.

People do start in the middle. CC

In the northern climes, we lack the ability to be languid. CC.

Amherst Writers and Artists Checklists

As a new cycle of workshops gets underway, it’s helpful to review the AWA method.
Also, enjoy some images from the clip file of my sister. Feel free to use as prompts.

From the Amherst Writers and Artists website:

The AWA affirmations

These affirmations rest on a definition of personhood based in equality, and a definition of writing as an art form available to all persons.

  1. Everyone has a strong, unique voice.
  2. Everyone is born with creative genius.
  3. Writing as an art form belongs to all people, regardless of economic class or educational level.
  4. The teaching of craft can be done without damage to a writer’’s original voice or artistic self-esteem.
  5. A writer is someone who writes.

Essential Practices

The following practices establish a safe environment where everyone is free to explore within their own writing and listen to each other with respect.

  1. Everyone’s writing, including the leader’s, is treated with equal respect and value.
  2. Writing is kept confidential and treated as fiction.
  3. Writers can refrain from reading their work aloud.
  4. Responses to just-written work reflect what is strong and successful.
  5. Responses and exercises support the development of literary craft.
  6. When listening in an AWA workshop we enter the universe that the writer has created and leave our assumptions behind. We are asked to leave behind our own expectations and experiences. In an AWA workshop we listen for and notice what works. We listen for and notice the choices a writer has made that help to create success in the writing. We listen without preconceived ideas about what the story should be about, how the poem should sound, or what we might do differently.

Positive feedback teaches participants about the craft of writing without hurting them. The pairing of harsh criticism with intelligence is a false pairing. Similarly, the idea that one must hear what’s wrong with one’s writing in order to improve is just plain not true.

Here are some elements of writing that can be commented on:

Point of View: it’s strong, it’s consistent, it’s original
Dialogue: it’s believable, it offers nice changes in rhythm from the prose
Descriptions of place: vivid, sensual, offering a sense of scene
Descriptions of character: complex, makes the listener curious, credible
Structure: clear, original, telescoping (in or out), linear or non-linear, circular
Literary techniques: metaphor, simile, allusion, alliteration, irony, hyperbole
Word choice: what words pop? what words linger? any word choices that really seem original?
Symbols, motifs, or themes: any immediately apparent?

A nice compendium of literary techniques can be found here.

 

 

Birch bark

Enough writers enrolled for the fundraising workshop that I’m hosting on May 24, Bringing the Body to the Page, for it to be a go. (Fundraising for Amherst Writers and Artists). There is still room if you’re interested. 10 – 12. It’s a Friday.

Looking at these photos that I took of the birch out back this morning caused me to ask, who says the body has to be yours, or even human? That trunk has stories to tell!

I’m clearing out the freezer a little by making stock — using up stowed chicken carcasses and vegetable bits.

Now I’m off to straighten one of the boys’ bedrooms for the dog sitter. Funny how they become like closets, those vacated bedrooms.

I think we own 15 laundry hampers!

Transitions

Missed the exit for Route 2 on the way home but the Pike was faster so it didn’t cost us, time-wise.

During the writing retreat at Stump Sprouts in Hawley, Mass (led by Maureen Buchanan Jones), we had little sun. It hardly mattered given the indoor focus, but it did mean I didn’t get the same quality of photos as other years.

This year I walked A LOT. I finally got to use one of the many emergency ponchos I’ve purchased over the years (and for which I have taken much shit, BTW). That was a vindication of sorts.

The retreat numbers shrank for Covid and did not scale back up, probably because it’s so much nicer to bunk alone. It made a nice difference. At night, it was so quiet and so dark. Quite delicious.

It’s hard to characterize the retreat experience. People made me laugh. Some cried while reading. We were silly, intense, thoughtful, and there for each other. It’s true that when you show up for another person’s writing, you are showing up for them.

I also did Tarot readings for about half the group which added a little extra intimacy.

I “got” a couple Lucy Audubon scenes (even though I keep saying I don’t want to write about her) and interestingly, a Salem witchcraft scene. That was unexpected.

QUESTION: thinking about my upcoming trip to Montgomery, Selma, Birmingham, Jackson, and maybe Memphis — any recommendations?

Another QUESTION: Are any of you interested in writing with me and others once a week starting in September? It’ll be ten weeks on zoom.

Email me (deemallon89@gmail.com) if interested.

Recent prompt

Morning of Surprise Hearing

“I wonder if it’s possible to will myself into spontaneous combustion.”
Aleyna Rentz, from Cincinnati Review

That was the prompt for this piece of writing

Charred bones hold a certain
appeal. A ravaging by fire
before crumbling into the dirt of
death.

Malva up the street bloom
in the palest of pinks. And now
hosta send up the sturdy
stalks of their flowers. July,
this July coming, is still familiar
to them in a way to me
it is not.

Hair shooting out of my scalp
transformed into poison darts
would more clearly show
the neighbors who I am
than the little waves, nods,
the purse across the chest,
holding phone and dog treats
as if the old rules of communication and reward still apply.

The house remains standing. The grass
grows in the fits and starts
indicative of shade. This morning
the dog sat on the deck planks
still wet from last night’s rain. He
was listening. Dogs are always
listening.

Would it help to shave my
head? To craft an embroidered
badge saying I’M DONE or WAKE UP?
To make visible the roiling
disappointment, so roiling,
so disappointed as to render the
words useless.

Old styles of rebellion will not
hold. Saving democracy is
not a style decision, as much as
we might like it to be.

Revelation after damning revelation
and STILL we wonder: will it matter?

We’re talking a femoral bleed.
Grasping around to find
a tourniquet, placing the life-
saving band around the body
but forgetting how to tie a knot.

“No July 4 for me this year,” say
some, while many others have
never had much to celebrate about
our so-called independence, our
so-called freedoms.

A flawed past does not
condemn us to tyranny. Please, someone,
make magnets saying that so I can put
them eye-level on the fridge, linking
hunger and hope and reason.

We don’t forget to eat, so
why should we forget to dream big?
To believe in possibility?

The squirrels chip at the air
with their throats. I used to think
it was the cardinals.

Somewhere, someone mows a
lawn. Somewhere, someone gets
water off a truck because lead
contaminates their water. Local
jack hammers signify home
improvement. Federal jack
hammering comes in the form
of 6-3 opinions. They
are blasting away at basic assumptions,
at long-held rights, at
the beliefs and needs of the majority — at

their own jurisprudence.

Who do you talk to in the
still of the night? Some nights
it is the ghost of my mother.
Other nights it is my own
nervous system. Sometimes
my children show up as absence
and silence and that keeps me
awake longer.

Not all loss is national and
collective.

I have my snacks ready
for the next set of revelations.
A friend is coming to sit by and
watch with me.

How we connect now matters more than ever.

Last night the sky blazed
orange. Chips of light between
maple and beech trees like mosaics.
It’s hard to remember the world
when you are perpetually walking
between kitchen and living room,
bathroom and bed. COVID, anyone? Or should I say: COVID for EVERYONE!

The world as defiled. The
world as holy. I don’t need
to shave my head to show
how my heart is trembling.

*. *. *.

This was written to a prompt in my Tuesday Amherst Writers and Artists workshop — the last until mid-August. The prompt was the Rentz quote above which appeared in a piece titled The Land of Uz. Cincinnati Review, Fall ’21.

The photo of Hutchinson was taken from a PBS website, but it is everywhere. I ran it through a filter in the Prisma app.

P.S. if you look carefully at the fairy-lights-photo, you will see Finn behind the glass door.