Monthly Archives: October 2012

blue and white and memory

This morning I offer you a few blue and white pictures from the weekend, and fond memories of a bedroom that I occupied as a ten year old.

Blue and white was the color scheme of my bedroom in “the Glory Drive house” (we moved so much as a family that our houses had nicknames).  Glory Drive was a dead end street in Pittsfield, Massachusetts, on the very edge of town.  It was a suburban neighborhood, like you might find outside any number of New England cities, but with a difference.  Since we were on the outskirts of town, our property backed up to a big grassy field with a barn and our neighbors across the street overlooked acres of Burgner’s Fields where they grew cow corn.  A small wooded mountain snaked with creeks and paths rose up behind the barn.

The fenced field semi-contained a goat.  He escaped from his enclosure on many occasions, and to my mother’s dismay nibbled on the young trees she was busily planting, attempting (as she always did) to beautify our yard.  As ten, eight and twelve year olds, we were more captivated with its bucking personality and its bodily functions – primarily its theatrical act of pissing.  This goat would nonchalantly let loose a thunderous stream on the dirt road, creating poofs of dust. Of course we found this hilarious.

Further up the hill, past the barn and into the woods, were great climbing trees, a creek, and way up the top of the hill – an old abandoned dam.  Behind the dam, a tiny reservoir opened to the sky.  The dam probably stood forty feet high, and one could carefully walk its narrow upper edge, or walk underneath it, through its dark and moist underside, where the many cracks in the cement seeped water and hardly created confidence in the structure’s soundness.  It was spooky.  Many hours were spent up there doing what kids do – wandering around, playing school, splashing in the creek, gathering leaves, and later, smoking hashish.

My bedroom was square and fairly large – I’d guess this many years later that it was 12 x 12 or maybe even a little bigger.  When my mother inherited some furniture from her childhood (I can’t remember if this was after my grandmother’s death, or before… ), she painted it all white.  Boom!  Wood gone!  And then, in what I now consider a daring move, she and my father painted the walls midnight blue.  We’re talking dark.  Verging on black, really.  She then sewed up curtains in the Blue Onion print, which tied it all together and lent a major dose of cheeriness to a now very unique and put-together bedroom.  It was an early lesson in invention, taking risks, and re-purposing items.  My mother was a bit of a genius at these things.

What do you remember about an early bedroom?  What do these memories reveal about us as adults?

repetition

It is possible that I am making the same quilt over and over again.
Oh look, there’s another blue moon! And — surprise! — another hut, with its two-toned roof angled skyward.
And, my goodness — two in a week!! —  ANOTHER two-toned roof and ANOTHER moon — stitched together!
Leave it to a Buddhist to address the matter of repetition with eloquence.  Gary Snyder:

Repetition and ritual and their good results come in many forms.  Changing the filter, wiping noses, going to meetings, picking up around the house, washing dishes, checking the dipstick — don’t let yourself think these are distracting you from your more serious pursuits.  Such a round of chores is not a set of difficulties we hope to escape from so that we may do our ‘practice’ – which will put us on a ‘path’ – it IS our path… The truly experienced person, the refined person, DELIGHTS IN THE ORDINARY.  Such a person will find the tedious work around the house or office as full of challenge and play as any metaphor of mountaineering might suggest…. One goes out onto the ‘trail that cannot be followed’ which leads everywhere and nowhere, a limitless fabric of possibilities, elegant variations a millionfold on the same themes, yet each point unique.

From, The Practice of the Wild.

Here is a peak at what I really think about this latest Moon Hut quilt (depicted with my feet above).

I make the sky out of a linen so soft it begs to be touched.  The swirls on it suggest wind to me, and are a green I struggle to name – sea foam?  Moss?  The dragging of thread along some of the swirls pleases me, accentuating their drama and direction, providing a welcome counterpoint to yammering, televised heads debating Medicare’s future.  The orange leaves and red leaves play off of each other, and provide a feathery sense of movement, and a nod to the incomparable work of Jude Hill, who explores feathers and wings this season.  The moons of the foreground place sky into the ground – a kind of reversal that also pleases me.  There’s even a little redemption here – for I am making use of a fragment from a barn quilt that couldn’t find a place until it landed here.  How can all of this not be (to quote another icon) a ‘good thing’?!!

Today I will practice thinking about these hut and moon quilts as “elegant variations” – which I already know to be true, if I am honest, if I stay away from over-thinking, if I flick doubt away like a pesky gnat, denying it purchase.  That’s a practice, too – flicking doubt away like a pesky gnat, denying it purchase.

Where pleasure resides, repetition is no effort at all.

Dashing

Dashing, isn’t she?  And so am I!
This is my double duty day – take a class in the morning; teach a class in the afternoon.

Then, I will have to decide: watch the VP debates live or catch up on “Modern Family”?!!  I’ve noticed that if I tape political speeches to watch later, I tend NOT to watch them.  Because I had such a lesser condemning take on Obama than the press universally has, I will probably decide I have to see for myself… live.

So apologies to my dear blogger companions, whom I have not frequented with as much regularity as makes me happy this past little spell!!

Oh, and, the sun is out.

P.S.  This doll is getting a jester’s hat.  I have bells to sew on the tips of the silk.  And then, she will be done!!

“Peace Fleece”

Last week, I got stuck in the studio.  It really felt like I was banging my head on the wall and it was clear that continued effort in that state was not going to yield results.  So!  I did what many people do when they get stuck – I changed media and let myself play.

Felting fit the bill. Making a globe is a lot like making meatballs!  All you need to do is stand at the sink and pat and rub and rinse under running water, and pat and rub some more.  And, more importantly, since I am not a felter, there’s no real striving involved.

I used Peace Fleece rovings to cover two beach stones and to make a globe.  Peace Fleece has an interesting story:

The Peace Fleece offices are in a barn on a sheep and horse farm in the small, rural town of Porter in the foothills of southwestern Maine. Peter Hagerty and his wife Marty Tracy started buying wool from the Soviet Union back in 1985 in hopes that through trade they could help diffuse the threat of nuclear war. Since then Peter has journeyed through eastern Europe, central Asia and the Middle East in search of farmers and shepherds who are willing to set aside historic enmities in exchange for opportunities leading to mutual understanding and economic interdependence.

This wool was  ordered many years ago for some children’s classes that I was running, so I don’t remember its provenance.  But – I remember that I intentionally selected wool from areas of the world that have been in conflict with each other for generations so that when felted together, the object would be ornamental AND a prayer for peace.

What do YOU do to express a desire for peace?  Or, what do you do when you get stuck in the studio (which, if you think about it, would be a prayer for peace!)

rainy tuesday

I stepped away for a bit for a busy time with family which involved celebrating Canadian Thanksgiving!  We are three days into rain, here, but I am happy to report that I got out in the garden yesterday and, after four days of doing other things, the barn snapped into two acceptable forms yesterday.

Pure collage style, above.

And below, piecing, with not all the kinks worked out, yet.
There is finally a sense of bulk and a feeling of season, so I know how to proceed.
This is one of two black walnut trees on our property.  I’m gathering nuts for dyeing, but for now, the indigo vat is still producing color.
I dunked one of the Middle Passage quilt’s lower edges into the vat.
This is what it looked like pre-quilting and dunking.

As one of my students noted, there is something about the blue batting that brings home the act of dyeing… otherwise, one might assume that the fabrics were blue when chosen?  Not sure, but I there is something about that batting.