In the winter, after the leaves fall, our first floor is flooded with light. It’s one of the things I like most about this house.

One day last week, when I was feeling a little at odds with myself (I can’t remember why), I found myself thinking, “But this light, I get. This light doesn’t confuse me.”
How to address the brutal history of slavery in a quilt DOES confuse me. For one thing, there is the question — is this my story to tell? That query triggers the question – does that matter, and if so, how? More on those thoughts later.

The working title for this ‘Trayvon Martin’ quilt is: Strange Fruit, triggered by an email conversation with the fiber artist, Kit Lang.  Ms. Lang responded to the Zimmerman acquittal with two quilts, one of which she titled “Strange Fruit – Stand Your Ground.” You can see it here.

Being reminded of that haunting Billie Holiday song informed the choice of the fabrics printed with trees and vines. The ship in the lower right references slave ships, as does the brown batik with horizontal striping.

I got away from the initial idea of a white house with a white fence beyond which a black boy could not safely go. One of the other Martin quilts may preserve and explore that initial design impulse.

Blogged about earlier here “White House and Privilege” and here “Privilege Progression – quilt slide show“.