Category Archives: slavery

A good day to…

It’s a good day to finish this little Village Quilt. I’ll fold the top edge over for a dowel sleeve and trim the edges. I ended up putting a layer of cotton batting in this one.

Also a good day to put garden things away and bring more plants indoors. Pillows and rugs are out for sun and air. I wiped away the mold lining the plastic rails of one section of the deck (only eight sections to go). Vacuumed the downstairs and wiped crud off a few kitchen cupboards.

But here’s the thing about domestic chores: they satisfy the soul; they enhance the peace of one’s space; they make one feel virtuous. At a time of horrific news, it’s hard not to think of these jobs as anything but privileges.

Speaking of homes. The wasp’s nest that I found recently seemed, at first glance, completely dried out and empty. After several days of rain, this morning I picked up the now-soggy structure and saw the tip of a wasp head. By squeezing, not unlike releasing cloves from a baked head of garlic, a body emerged. There were many more.

I don’t think I did anything to speed their demise but I’m not really sure. It’s been just sitting outside since I picked it up, just as it would’ve sat on the median strip of grass had I not picked it up. Anyone know these things?

K and I watched The Burial last night. Great characters, based on a true story, one about the little guy taking on the big, fat, greedy, smug, rapacious corporate guy. Who doesn’t love a David and Goliath story?

We have sun today after a pounding rain yesterday. I performed my usual neighborly duty of pulling amassed leaves from the sewer grate at the bottom of our street’s hill. Water collecting there can and has reached our basement. By the time I got out there, the water was three-four inches deep. Talk about satisfying jobs!

One tug, two, twelve — fistfuls of wet leaves tossed to the median in great splats until one eddy formed, and then another, and then a great onrush of water into a now echoing, revealed sewer. The puddle cleared in about ten minutes.

Clip from The Burial is 2m long and please know I don’t expect people to necessarily view it. I like to save these things for my own sense of things. It’s a wonderful monologue though and speaks to so much of what is wrong with the right wing’s critiques of CRT, their book burning, etc.

Believe me, I know that “etc.” is doing a lot of work here.

Good thread on SC history

It’s a long thread but interesting. The term “maroon” comes from the Spanish meaning, “untamed.” It is not, as one might think, a reference to skin color. In my historic fiction manuscript, three characters run away to a maroon community in Cane Creek. This was a real place in the swamps west of Charleston.

Black History, a selection

From The 1619 Project, EPISODE TWO: “Rape was so prevalent during slavery that today 1/4 of the genetic makeup of Black Americans can be traced back to Europe through the paternal line.”

Colonial governments made descent of children of enslaved women matrilineal in order to ensure that any children they bore were slaves (even the mixed race children, say, of their owner).

The episode goes on to examine the lopsided health care that contemporary Black women receive, tying the shameful conditions directly back to slavery.

FACT: Black women die in childbirth at THREE TIMES the rate of white women.

FACT: Black infants die at TWICE the rate of whites babies, a discrepancy that disappears when the OB is Black.

FACTS: Black patients are under-treated for pain, as if there were biological differences between Black and white people. Furthermore, their life expectancies are shorter and they’re often blamed for their health issues.

Slave owners always had an economic interest in the reproduction of their slaves, but after Congress banned the importation of Africans in 1808, it became an even more important way to preserve and build wealth.

In the amazing novel WASH, by Margaret Wrinkle, the white slave owning protagonist hires out the enslaved character named Wash for the purpose of procreation. Keeps meticulous records. Is paid for the “exchange.” One of many poignant moments occurs towards the end when Wash burns that ledger and lets those flames then take a barn down.

I know from my research that in South Carolina in the mid-eighteenth century, slave owners believed that breeding Africans with Native Americans would produce stock better adapted to winters.

Breeding. Stock.

And BTW, another source of wealth for early colonizers as to round up, kidnap, and sell Native Americans to slave markets in the West Indies. Native Americans were not favored as slaves in South Carolina because they had family in the area and knew the landscape better than anyone, heightening the chances of their escape.

A look at racism, part 48

Today’s idiosyncratic tour of racism, reactions to racism, and/or the history of racism swings through a twitter thread.

Yesterday a WW (that’s “white woman” from now on) posted her horror at learning that, at some point, George Washington killed all his slaves’ dogs. Her tweet is circled in yellow below.

Here’s one possible source for this fact — a Frontline episode on PBS.

Even though I’ve read about some of the most horrific forms of torture employed by slave owners and have had to really think about the heartless mercantile interests of slave owners trafficking in Black bodies, I also recoiled at the dog-killing.

Does this mean I care more about dogs than about the enslaved?

Of course not.

I thought Washington’s dog-killing was an extreme and sadistic act meant to deprive his slaves of the comfort and companionship of their pets. The Frontline article though seems confirming of the tweeter’s assertion — that he was acting out of economic self-interest. The dogs were killing his livestock, perhaps?

PBS Frontline

Anyway, I didn’t spend a lot of time reading the comments because I knew the dumping on the WW would, in this instance, bother me. It’s NOT EITHER / OR.

And BTW, sometimes it’s evident that people DO care more about pets than the people involved. Take the aftermath of Hurricane Katrina.

It seemed then that there was a lot of attention paid to the stranded animals and maybe not enough attention paid to the ravages of New Orleans’ largely Black parishes. Also, that the recovery effort was so botched could have been viewed through a lens of racism and generally wasn’t.

Another EITHER / OR that I’m thinking about and will come back to post about sometime soon is: how the fact that race is a scientific fiction across the board (not just for white people, in other words) can coexist with our profound acknowledgment that race as a social construct is profoundly and persistently problematic.

Collages are 2022 creations made to visual prompts from Paris Collage Collective.

Falling apart / gluing together

I have a bunch of collage books. They’re generally not art books but rather something between pattern studies and wish lists for interior design.*

There’s a freedom in cutting and pasting without worrying too much about the results.

I pulled a notebook out yesterday that’s falling apart. This intersection of picture-edge and coil failure is probably my favorite shot from the book.

I used to use rubber cement. It often fails with time. I like the marks it leaves behind too.

You’ll notice some themes: barns and fabric, angels and antique maps of the heavens, flowers. Death and ghosts. Love and more flowers.

The peony/Browning poem with a picture of D as a young boy is a copy from another Sketchbook Project, the one I cannot find on the site. The theme was : Jackets, Blankets, and Sheets.

Rubber cement mark on lower left.

Sometimes the order of the images matters. I like the way the three above relate to each other.

And sometimes (often?), the collages reveal that I was thinking about my novel, like the ones below.

Eliza?

In the period that I wrote about (1737 to 1744), many of the enslaved had just been kidnapped from Africa. They were called “saltwater slaves” or “comyahs” (as opposed to “binyahs”) (say those two words aloud and they’ll make sense). In other words, in the early colonial period, some slaves were born here and some in Africa. I’ve thought a lot about what it would have meant to have memories of home, to have been ripped away from a coherent society and family, to be force marched in coffles, warehoused in disease-ridden pens, and then shipped to these shores — landing into lives of brutality, abject humiliation, and privation.

These geographical and soul wounds can be viewed through the lens of indigo. Eliza Pinckney was an early innovator, but the slaves who harvested, aerated, and acidified the batches of dye may have had very specific memories about the crop, not to mention expertise. I learned about the Tuaregs of the Sahara, also known as “the blue men” for their intense deep indigo blue turbans — cloth which when unwrapped would leave blue shadows across their foreheads. I learned that in some areas of Western Africa cloths were woven with indigo threads to swaddle babies at birth. The same cloths would be worn at weddings and then used as shrouds at the end. Also, I learned that men tended to be the weavers.

Sea Island Indigo workshop, SC. 2014

I could say more about all of this but will leave it here for now.

Image of gate leading out of barracoon, west coast of Africa, plus other images.

* Exceptions: The Sketchbook Projects, collected collages done under Acey’s direction, and two books of Paris Collage Club works (one done, one in progress).