Tag Archives: Jung

Hearts Full and Close

Blue-Heart-close

Naming today’s jpg files for purposes of posting them here, I used the words “close” and “full” to indicate cropping.  These files — “Heart Close” (above) and “Heart Full” (below) — put me to wonder, What is it to have another’s Heart Close?  Or even, one’s own Heart Close?  And, what is it to have a Full Heart?

Blue-Heart-Full

Here is the “Heart Full” — although in this case, it is not quite the entire quilt.   In this Heart Series of quilts, all of which feature a single heart perched on top of a busy mosaic, I have always been working with the notion that the fullness of our experiences add up to a kind of perfection.  And that this perfection normally eludes us, but in fact, is always there.  As a designer, it is easy to know that the dark-hued swatches of fabric are as responsible for the overall design (and dare I say, beauty?), as the lighter patches… As a human being, it is less easy to know that those experiences which wounded us the most, are just as responsible for the overall design (and dare I say, perfection?) of our lives as the sunnier experiences.

Blue-Heart-lower

As David Whyte  states in his poem “The Faces at Braga”, “If only we knew/as the carver knew, how the flaws/in the wood led his searching chisel to the very core,/we would smile too/and not need faces immobilized/by fear and the weight of things undone.”  (From “Where Many Rivers Meet”).

Heart-of-Darkness

This smaller quilt includes the word “Darkness”

heart-song-full

and, in the lower right corner, “SONG”.  These are not contradictions.

copper-heart-full

How does one become, again to quote David Whyte’s poem, “wedded to our essence”?

copper-heart-and-minis

such that the details transpiring in our tiny houses, do not impede the fullness of our hearts?

copper-heart-beads

Drama Queen

drama-queen-sandpaper

The Drama Queen comes out again.

This photo (of a doll that I made) is stitched to paper (that I made) and could go in a basket of low-priced items to sell on a craft table.

An earlier post about this is stored as a word file, perhaps never to be opened again.

Suffice it to say that MY Drama Queen is Irish and, when activated, is cruising for a fight!

I don’t think anybody in the SoulCollage® world would care that under this doll’s velvet cape was a skirt made from fabric, including a fabric transfer of a collage that later went on to become a SoulCollage card®.  This doll, this card made from a photo of a doll, is not a SoulCollage® card.  Period.

♥    ♥    ♥

It is not my intention to teach readers about SoulCollage®, but rather to simply share what is percolating in my studio, on my pages, and in my creative process.

To learn about this remarkable process, go to SoulCollage.com, where you can find out about Seena Frost, who developed SoulCollage®. Or, dive into the amazing work and teaching of Anne Marie Bennett on her website, KaleidoSoul.  Anne Marie’s passion for this work is evident on her site.  I am lucky enough to be studying with her next month!