Monthly Archives: March 2009

Risers getting a face lift

Before

Before

Part of the challenge of living in an old house — and ours is OLD (1810?) — is living with imperfection.  As it turns out, even I, (“Ms. Who-Needs-Right-Angles?”, otherwise known as “Ms. Dirt-Builds-Immunities”), have limits.  These stairs have been awful, awful, awful for years!

When D. was around 5, he and I ripped out the ugly red carpet that was here when we bought the place.  He was an aspiring workman at the time (and by the way, at that age, he could drive a nail better than most of our neighbors — no offense neighbors!), so it was great fun.  I painted the treads and risers.  That was 8 years ago and you can see how terrible they look!  In the meantime, ballisters broke.  One was pulled to serve as a model for a carpenter, who turned us some new ones, but they are in the closet UNDER the stairs because their profiles are not passing muster with my husband (who has a better architectural eye, but still?  Are the cavities better?!!)  I’ll spare you THAT digression!

stairs-few-risers-done

I am cutting up a not-that-old-but-out-of-date National Geographic Atlas and using Liquitex Gloss to adhere them.  Wallpaper paste would probably be better, but there you have it!  Each riser requires two map sections.  So far only one seam bugs me and it is in the middle one above.

stairs-close

Collage Journals — YoYo Brooch

yo-yo-brooch

This page celebrates brown tones and rust colors and reminds me I have been meaning to make some fabric yo-yo’s (i.e. puckered disks of fabric) — above, clustered in a decorative pin on what look like linen overalls!

Here’s a site worth a visit in any case, but if you want to know how to make yo-yo’s, Heather Bailey‘s tutorial is clear and easy to follow.

Collage Journals

venice-hands-feet

I have close to a dozen, now, collage journals where I play with color and form.  I think they started as wish-books — a place to put images of things I wanted.  But soon & invariably, they became something else — I couldn’t help cutting, rearranging, interrupting an image… Occasionally I drift into social commentary, but mostly it is pure play.

I’ve decided to post a few now and then.  I am choosing not to worry about copyright.  My love of textiles will be obvious.  That I am attending to color might be clear.  My obsession with house motifs and doorways will be apparent, too.

Most images come from catalogs and old magazines — a boxload of old Smithsonians, National Geographic, and some designer magazines (Living, House Beautiful, Country Living) … I have three whole books devoted to Christmas.

So Collage Page #1 features —

  • Venice bridge arches
  • country doorways
  • bucket of wood
  • Alicia Silverstone’s  hand and knee creases
  • feet of a J. Jill model
  • flowers and I don’t know what those blue disks are.

Here I am looking at a very soft palette.  This at odds with the colors I generally choose in quiltmaking, which tend to be very saturated colors.

There is an intentional social comment here, about the commercialization of beauty and the price it exacts from women.  We fall prey to the glossy images and are invited to view ourselves in bits and pieces (e.g. “I like my breasts, but I hate my ass” ).  The desire for something ELSE, something deeper than the skin, is referenced by those bridges and doors, which represent transport, openings, mystery….

Not that I wouldn’t like to own that J.Jill skirt, mind…

Self Portrait

self-portrait-march-21-09

This quilt is not quite done.

I like it because it created itself while I was cleaning out fabrics I don’t want —

(WHAT?!! you ask?!! Fabrics you don’t want?!!).

There was some serendipity involved.  Some sense of ‘clearing out’.

self-portrait-march-21-clos

I turned myself green with Photoshop Elements 3.0.  Then, used an iron-on transfer (this was before I started splurging on pre-treated fabrics for my inkjet).  I burned away some of the image with my iron — intentionally or not, I no longer remember.  It lay around the basement for years.

self-portrait-3-21-dad

The photo of my dad is a scanned sepia-toned photo that was printed on organza.  It is probably dated around 1949?  Not sure, he is quite a young man in it.  I found it on the floor near the paper cutter while cleaning up.

The whole thing doesn’t QUITE look the way I want and maybe jars of Matt Liquid Gel Medium are lining up and calling my name, but it is getting there.

Why do I like it when a thing comes together quickly?

I also like the transparency of some of the layers…

Two more journal quilts

about 8" x 6"

about 8" x 6"

I strive to avoid making quilts that look like potholders, but this one celebrates its potholderiness.  Check out the vintage fabric that says (in lovely pink script, of course) “the way to a man’s heart”, along with little icons of kitchens and hearths.

The seated figure, next to her lovely bird cage, looks well-groomed and cheerful — two qualities I could use a little more of!

This potholder of a Journal Quilt extended the work begun in the ‘Small Town’ class, and even uses a few pieced elements originally intended for that quilt (which is nearly done).  I really love the combination of soft browns, greens and pink.

journal-quilt-march-15-09

Leaf Journal Quilt from the week before —

This one springs from a similar desire to make something pretty.  I made the purple paper many years ago… the leaf is embellished with beads… and the blue silk under the purple is a truly to-die-for swatch of fabric… it needs more quilting….

jq-march-15-close