Category Archives: my novel

Sleep hygiene and a proof

Okay okay! I should’ve done this years ago, but at my doctor’s suggestion I am now leaving my phone downstairs at bedtime. I do the NYTimes crossword sitting in the living room instead of propped up by pillows. But more importantly, there will be no more grabbing the device and reading in the wee hours (sometimes for many sleepless hours).

It is good to minimize exposure to blue light and to shun extraordinarily upsetting information when I should be resting. What a shitshow the news is! Watching the collapse of the press is another and secondary shitshow to the campaigns, but one that informs all other shitshows and is really, really upsetting. (Of course you will have noticed that I still subscribe to the NYTimes).

I’ll save my thoughts about the Biden question for another post (or for no post at all), but let me just say I flip from one side of the resignation idea to the other at least ten times a day.

My PCP also suggested no books in bed, but there I push back. It feels really good to go back to my old custom of reading a novel for 30 minutes or so before turning out the light.

(How else am I gonna get through Lonesome Dove? Have you seen the size of that book?)

The proof from Amazon arrived and there is, I confess, some magic in holding my book even if the cover was screwed up (see that white band along the bottom?)

Naturally I found a mistake. Not a typo so much as an out and out mistake. Referring to a character’s horse as male and then three paragraphs later, as female. Oops!

Ken is very patient and good thing because I’ve found other words that I want deleted or changed and at this point that means fixing three versions of the manuscript.

Mostly though I’m re-reading and making the historical notes that in my Author’s Note I promised would be published on my blog. I’ll probably post it before it’s done and revise as I go. There will be tons of disclaimers — I am not a historian, my research was idiosyncratic (i.e. the opposite of thorough), etc.

But there is a lot that I can confidently assert — that the name of the family’s property on Antigua was in fact Cabbage Tree Plantation, that Eliza, contrary to my telling, got her small pox variolation in England and not in South Carolina, that her mother was reported to have malaria.

The Notes are very much at odds with the standard disclaimer THIS IS A WORK OF FICTION, but I think readers might like to know what I based on the historic record. I’m especially committed to this idea when it comes to a couple of the most egregious and sadistic torments inflicted on the enslaved (I didn’t make it up!)

You get the idea.

Yesterday’s dog walk
This week’s puzzle

Have a great Sunday!

Cover reveal

The Weight of Cloth, my debut novel, has a cover!

Designed by Jonathan Sainsbury

Here it is “open.”

Here’s a close up of the back.

The blurb reads as follows:

South Carolina. Mid-1700’s. Four narrators: one privileged and three enslaved.

When Eliza is just sixteen, her father departs for the West Indies leaving her in charge of three heavily mortgaged plantations. Her authority will be challenged, including by her mother. A second epidemic erupts and a slave rebellion sweeps the countryside, upending assumptions about safety and order. Can Eliza survive and bring a profitable indigo crop to market? Can she hold out for love rather than settle for a marriage of convenience?

Melody, also sixteen, fights against the constraints of slavery with small rebellions. Her most subversive act? Teaching her sons to read. Will freedom lay down a path near enough for it to matter?

July sews like a Parisian couturier, but her defensive pride crumbles when two boys die of the pox. She cries out to the Ancestors for help.

Saffron and her daughter, Maggie, are bewildered and traumatized by the harrowing voyage from Africa. Saffron calls upon her innate gift of language to make sense of things, but Maggie’s nearly catatonic. Meanwhile, the plantation’s best hunter, Indian Pete, catches Saffron’s eye, and she wonders if love can exist in such a place. His knowledge of the landscape holds the key to a daring opportunity that could change Saffron and Maggie’s fate forever.

The Weight of Cloth offers an unflinching view of history through facts gleaned from the letters of Eliza Lucas Pinckney and extensive research. In spite of the relentless degradation of slavery, the story speaks to the power of resistance and love and highlights both small and large acts of courage. These characters and their stories will stay with you long after you finish the last page.

Tomorrow my first proof arrives! It’s coming from Amazon.

I’ve set a publication date for September 5, 2024.

When that date is firmed up, I’ll let you know.

Book, Burgers, and Covid

Catalpa collects and rots I cleared this area yesterday.

Book-focused weekend. Ken’s been playing with format — shifting a margin this way then that, tweaking the line spacing, bigger, smaller. The goals are to make a readable page (i.e. with enough blank space) and to keep the page count down. These two aims run counter to each other. I’m happy to say that it’s looking like the print edition will be in the neighborhood of low-300’s. This may change but it’s a really good page count.

Still working on my blurb. It’s about 80 words too long.

Yesterday I applied for an LCCN. That’s a Library of Congress Control number which apparently helps librarians find your book. I hadn’t heard of it before yesterday. It can also lend a little credibility to a self-published book, though I’m not sure how since if you’re like me you really don’t even scan the copyright page. I’ve been STUDYING them this week.

We’re under a tornado watch. There was a voluminous and angry downpour at dawn. Branches along our walk were down. It is muggy.

Neighbor’s catalpa

I made the best turkey burgers yesterday. Really really good. Not even sure why.

Mixed in: homemade bread crumbs, cilantro and a little basil, a shallot, S&P, garlic powder and three cloves of garlic, the usual egg. Served with homemade aioli and a nice seeded, toasted bun.

We’re getting ready to go to California this week for a wedding. The two people I know who attended outdoor weddings recently reported six to eight people getting Covid. I think that makes them superspreader events?

I’ve grown a little self-conscious about masking. I’m expecting to be the only person wearing one at this wedding. Should that bother me? Maybe not if you consider I might also be one of the only guests who hasn’t had Covid.

I read twitter still. It’s grown more and more worthless but I learn about fires and floods and I watch portions of political speeches (important to know for myself how degraded Trump is). It’s where I’m learning about Project 2025.

But here’s what else I’m learning. A succession of mild Covid cases in a small but significant percentage of people results in long term health damage. People forget that it’s a vascular disease. Heart problems may result. Immune system weakening. There can be brain and liver damage, strokes and aneurysms. If Covid was just the week you lose to exhaustion and a lack of smell, I would not give a shit.

(And maybe I shouldn’t qualify the number of ugly outcomes as “small” since some of those strokes, for instance, may happen when younger folk turn 35 or 40).

It’s on Twitter where I found out that San Francisco’s wastewater count of the virus is higher than 2020 and that there’s a surge of Covid cases in Oregon. I also learned that it’s a good idea to run the bathroom and AC fans for an hour in a hotel room before settling in.

I ordered more N95 masks and I have my iodine-based nasal and throat sprays out for packing. My last booster was in March so I guess I’m good there? Not much else I can do besides stay home.

Sunday catch up

are the catalpa blooms early this year?
So many hydrangeas here have died. Not this one!
Lady’s mantle, predictably lovely after rain
A couple of quiet days. I can hardly believe it!
We had a picnic at the lake yesterday
The renovations are great
The funny thing about this is I was already planning to make lasagna!
After a pause in Paris Collage, I’m back
2 PCC prompts combined & my photo of LA
This and the first collage feature the same moon rubber stamp
She’s back! From paper doll collage series
Close up
“Rusty” filter in Diana photo app
That cotton magazine ad that I so love
Sometimes accidents are the best
PCC prompt

Happy Father’s Day!

Publishing (boring) update. SO MUCH OF THIS PART IS BORING. Ken is helping me figure out the self publishing platform, D2D. I made an account with them and supplied tax info. This will be in conjunction with Kindle Direct Publishing (KDP). In advance of using D2D’s formatting feature, Ken was able to resize the margins and get the book under 500 pages. This is a good thing! I think I’ve landed on a cover with a designer from Connecticut (to be revealed before summer’s end!) AND

AND I may (finally) have written a decent blurb. Bit by bit! Now to try (for the third time) to figure out WordPress’s newsletter feature. Conventional wisdom is that it’s the most important marketing tool for writers, but? Really? Who wants another fucking thing showing up in their email box? I for one am getting six daily political newsletters.

Probably more important to rework my landing page here.

Established writers have other people write their blurbs

Ava DuVernay, Origin

If you haven’t heard, Ava DuVernay has a new film out based on Isabel Wilkerson’s book CASTE. DuVernay made the interesting decision to center the telling of this book’s important messages around the figure of the author herself. I can’t wait to see it.

This interview with Lawrence O’Donnell aired last night (1/25/25).

And here’s a recent New Yorker interview:

Ava DuVernay Wants to Build a New System

One notable takeaway is that DuVernay did not produce ORIGIN through standard Hollywood channels because she believes getting this movie in front audiences this year really matters.

Writing this I was reminded of a small series of collages I made featuring a magazine photo of her a while back (photo probably from Vanity Fair). There was no attempt to represent the content of her work. It was more a visual celebration of the lushness of creativity and also the beauty of her curves. December 2022.

I’ve been meaning to watch her movie Selma for a dog’s age and since I want to watch it before posting notes from our trip there, maybe today’s the day.

It’s raw and rainy here and I am inexplicably tired though, so maybe tomorrow’s the day.

In other collage news, I’ve been noodling around with more cover and title ideas for my novel.

Title: Calico Burning? / SC marsh photo mine
My photo of McLeod Plantation behind
My photo of the famous Angel Oak

The novel has two important scenes featuring a calico dress hanging from a live oak tree, one in which it is set on fire. I worry that being so (intentionally) similar to images of lynching that it is too triggering to even consider. What do you think?