Tag Archives: digital art

Yea and Nay

Yea to : hoses that spit out water, neighbors that laugh on their back patios, dogs that look but don’t bark, goat cheese/feta cheese/mozzarella cheese for summer entrees and salads, Tylenol, catching snippets of K’s calls with coworkers when the client is not on the line, writing, dianaphotoapp, color, and fall-cooled air. Vaccines. Coffee. A new fence and the money to pay for it!

Nay to : clothes in general but chafing bras in particular, yard crews that violate the city’s leaf blower summertime ban, trucks backing up (especially before 8 am), the thought of school being in session again and all those people with Cape houses coming back, lumbar pain, hip pain, shoes that don’t slide on, plastic packages that won’t open, the death cult ruining a flawed but promising country, ours.

Will my Virginia Bluebells come back? Will Dems really let an arcane senate rule take down democracy? Does Obama have to shuffle and wear rags to avoid the scorn of some white people? *

Sitting on the deck right now, I hear crickets or tree frogs, I can’t tell which. A jay calls out. And again. The schoolyard is empty but for one mother and toddler. A “knee baby” is what an enslaved woman in the 1730’s might have called the little one.

The temperature is perfect. My bra chafes anyway. The tall yellow flowers came back this year after two years of no shows!

Today I will make a tomato, basil, and mozzarella salad.

I gargled with hydrogen peroxide this morning after reading yet another description of how much more aggressive the delta variant is.

Hope you have a good day, which I mistakenly typed as “food day” and yes, I hope you have a food day as well!

What are people reading? Watching on TV?

My last input: in a British murder mystery, if a man is out clipping his roses, he is either the next victim or the murderer.

* Notes: https://www.nytimes.com/

PS Laurence Tribe was not invited.

Collage elements include: my photo of a building at the McLeod Plantation, SC, the Paris Collage Collective prompt (man in bathing suit), clouds shot from plane during recent trip to LA, grid from an installation at Denver Art Museum two years ago, two of my quilts, another collage (that includes a photo of Italy)

Diana Photo App tutorial

The primary design tool in my digital collage tool box is the Diana photo app. Pretty sure it’s free. It allows you to select two photos and then double exposes them with a variety of filters.

[My other heavy hitters are PicFrame — for making mosaics — and Hipstamatic — a photo app that applies a filter and a frame as you shoot. Many of the photos that I double expose through Dianaphoto were shot in Hipstamatic.]

This post will give you the basic skills to use the Diana Photo app. It is a ton of fun, addictive even. Don’t say I didn’t warn you!

First, select two pictures by tapping the camera icons in the squares at bottom. The app automatically applies one of its filters. I’ll show you how to select a different filter in a minute.

  • Tip. If you’re like me and have 1,000’s of photos on your phone, you might want to create an album before starting. That can spare you a lot of scrolling.

If you find yourself intrigued by one of the two selected photos and want to keep it in place while changing out the other, lock it in place by depressing your finger slightly on the picture itself.

A lock icon will show up

Locking a picture allows you to audition how it will look with different pictures or filters or both. To unlock, simply hold your finger down on the locked image.

Next, select a filter. There are a couple of dozen. The variability of effect includes not just color and intensity, but also which parts of the photos are visible. Note that there is also a “no filter” option.

To select another filter, you can swipe left on the double exposure (without the filter grid visible) and whatever filter comes next in the app will be applied. In the alternative, you can hold your finger down on the double exposure and the black filter grid-menu will appear. Then tap to select. This latter method is efficient if you know your favorite filters. There are quite a number of filters that I never use.

To save the double exposure, simply tap the three connected circles ICON at the upper left. That will produce a menu for you to select where to put the pic. I always save to my camera roll, even if it will later go on Instagram or FB or wherever.

Below, find the same two photos with different filters. It gives you an idea of the kinds of changes produced by the app.

Directly below the double exposure, there’s a white dot flanked by plus and minus signs. An intensity slider. Hold lightly and slide left or right to dim or heighten the double exposure. I wish this feature was more interesting. A lost opportunity, IMHO.

Above left shows a fully dimmed filter while the right shows the button slid all the way to the right.

Another design tool is the swap. The selected pictures at bottom can be switched left/right by swiping left or right. This may produce radically different filter results (note, sometimes it makes little to no difference).

Dianaphotoapp has two ways of letting you make random selections. You can tap the dice at upper left and if no photo had been locked, it will select two photos from your camera roll. If you’ve locked an image, then it’ll only select one. I’ve read you can shake your phone too, something I’ve yet to try.

I love the dice function. Absolutely love it.

By using photos of collage or quilts, these pix gain a little artistry (IMHO). Also, when one or both picture is ALREADY a double exposure, some really quirky mysterious effects can be achieved.

That’s one reason why I use the hashtag #lostcountoftheexposures over on Instagram. I also always use #dianaphoto and #dianaphotoapp so that others having fun with this app can see.

Also, once in a while, the official Diana app account will feature one of my pix (last photo, below).

Have fun! Trust me, it’s a super easy app to use.

Digital collage

Obsession really. I made another mini-movie but I know WordPress won’t upload it. So here are some pix from it put together in mosaic groups or singly, instead.

It’s rainy. This was the second hottest July on record. I didn’t walk at all today, but there were pancakes on the side porch (not on the patio because neighbors had a bday party in their backyard), two crossword puzzles, kitchen counter bleaching. I talked shop with another author. Visited a local friend and sat out on her back porch. Tea. Apricot jam and crackers.

So sad that HBO’s Perry Mason is over. It was intense, stylish, well-acted with interesting takes on what Mason’s backstory might’ve looked like.

But Endeavour is on, so that’s good.

I ran out of olive oil today so put in a second grocery order with Amazon fresh. I am certain I shall go to carbon footprint hell for all the packaging. It’s bad. I’m bad. And at the same time, I feel like I might never grocery shop again.

What gets in the way?

It’s a good thing there are only 11 days left to Acey’s Collage Month* because it’s been so consuming! Consuming in a very good way, but consuming.

The next prompt: What gets in my way?

DOUBT is what first came to mind but I went with what came second to mind: LACK OF FAITH.

In particular: lack of faith in personal good outcomes. A train wreck is one of those things: ordinary and yet tragic. It could happen to anyone on their way to work. But it’s also rare, so why assume it’s only a matter of time until I’m sent off the rails?

In the second image, strips of a woodland creek scene butt up against photos of the disaster, as if the trees and water were complicit or at least, failing to offer protection.

Sorry for the glare here but the day is demanding that I move on.

A big thanks to LIZ, of the blog I’m Going to Texas, for sending me a big pot of YES paste. It’s sticky to the hands but so much more effective than what I was using. Thank you!

*

Acey’s Collage Month.

See also my Flickr album. SoulCollage and the tags here on the blog

Also, here’s a little minute plus that I made last night.