Tag Archives: dog training

Doing his job

Now I am applying Byron Katie’s inquiry process to my thoughts about the dog  (we have not abandoned training or expert help). For example, “Finn shouldn’t still be so reactive toward other dogs.”    Is this true? Can I absolutely know it’s true? Of course not. The fact that I wish he’d settle down doesn’t make it so.

How do I feel when I think the thought, “Finn should be over this by now”? The usual: discouraged.

Is there a stress free reason to hang onto the thought? No. There isn’t.

Turn it around: Finn shouldn’t be over this. Finn is doing exactly what he’s supposed to be doing. What if it’s his job to be the way he is? Or, by the way, for my sister to be the way she is?  

 

Lost Orgasms or Zero Faith


Where do all the missed orgasms go? Do they stuff themselves into pelvic bones, later to afflict the unsatisfied with bursitis? Or do they congregate in the shadows, behind the bureau, say, to become part of what haunts us in the half light when we are alone and already unsettled? Maybe they fly off like the geese that passed overhead this morning while I was walking the dog, barely visible in the fog, honking their lament.

Their ultimate destination ought to depend on how close they came to deliverance, so that the ones that never even stood a chance would go to one graveyard, while the ones that shunted off to the side seconds before blossoming into shuddering, clamping pleasure would go to another, presumably more exalted, resting place. The really near misses might properly be housed in a mausoleum, one lined with stone-carved lilies and angels. Wouldn’t it be nice to offer your disappointments a bouquet of flowers now and then? I would choose red roses, even if rock n’ roll cliché resided in every soft, perfumed fold.

The sorting of failed pleasure feels like a job for Pluto, that merciless lord of the Underworld. If you recall, he’s the guy who sucked Persephone down from a field of flowers where she had been skipping along in innocent glee, a mere handful of yards from her doting mother. What a way to lose your virginity! I’ll have to go back for clues. Are there any hints that Persephone grew to enjoy her year-long subjugation? Perhaps she enjoyed it right from the very first bloody, hymen-breaking start.

It would be just if the collective missed orgasms sailed down to the Underworld and settled in the young girl’s loins, giving her one thudding, yelping orgasm after another, so that in spite of being held captive by a foul-breathed master of cruelty with no capacity to care for her, she at least has that release – or dare I say — ‘fun’?

Probably unspent female pleasure serves no purpose whatsoever — either noble or trivial. And, think about it, if unassigned pleasure could serve some greater aim than the simple satisfaction of its participant, it would be risky to choose a story about rape where the mere whiff of female enjoyment can be so easily misinterpreted by male listeners, the coercive ones that want to believe in their decency but shouldn’t.

All the skewed notions, why add fuel to the fire? On the other hand, why let certain malevolent others have power over the range of my inquiry.

While we’re talking about women’s pleasure, let’s visit the cinematic female orgasm. You know the one – the grinding mutual orgasm that takes four seconds and requires penetration only. It’s astonishing how ubiquitous it is. Here’s one of many versions: guy shoves lover up against wall while yanking up her skirt, enters her, pumps four or five times to much deep-throated moaning on her part, at which point they climax together. Four seconds, four or five thrusts of his member. To watch any screen for any amount of time gives the impression that there are lots of women going commando in black pencil skirts having way more fun than I do.

Just to be clear. I have fun. Okay?

I would give almost anything to see that improbably hot detective or that leggy, single mother who looks like she just stepped off the cover of Vogue shove her lover back, look him square in the eye, and ask with unfettered disdain, “Are you kidding me? That’s it?”

You could call the cinematic four second female orgasm (with penetration only) a male orgasm with tits. But the better view is that the quick, ecstatic humping we see time and time again stands in as pure male fantasy, something akin to the letters published in Penthouse, which even as a fourteen-year-old babysitter scanning the text surreptitiously, I knew to be pure fiction.

Can you imagine the relief that would flood this planet if women came as predictability, quickly, and with as little reliance on circumstance as men did? In four seconds with penetration only, in other words? Like they do in the movies?

I know women have these kinds of orgasms, and some women have them routinely. For the sake of discussion, let me say that at no time have I come in four seconds while being pushed up against a restaurant bathroom stall wearing a pencil skirt with no stockings or underwear on. The point isn’t whether these brief climaxes happen or not — I know someone who came while dining out and enjoying a plate of shrimp, for God’s sake — but why that’s all we ever see, time and time again… the one version that just happens to be congruent with male fantasy.

I’m reading a well-written debut novel that features a lot of sex. In chapter after chapter, we are treated to a whole range of ways to have it, to enjoy it, and to be hurt and baffled by it. The protagonist is a privileged, self-destructive twenty-something who wanders through the sordid bedrooms of S&M, but also lies down in a fragrant eucalyptus grove and comes three times while enjoying the great California outdoors. At the author’s reading in Cambridge, her host focused a bit on the self-destructive and violent parts in a way that obscured the more subtle experiences described. Leave it to a guy to fail to mention the female protagonist’s multiple orgasms or her bland, recurring let downs.

I wish I’d said, “You don’t have to be a wanton 20-something hell-bent on self destruction to be bewildered or disappointed by sex. Hello? Anybody?”

Instead, I raised my hand and asked if she wrote with pen or keyboard.

There was some pretty gross shit in there. But still, I’d rather read a passage about a feckless young woman being enamored by the vulnerability of a man’s ass as he walks away from their bed, even if they just shared a violent interchange that I can’t relate to at all than see that god damned four second improbable climax on the screen again. The fact that the novel’s passage is so wholly, explicitly, and credibly told from a female perspective makes it food for the soul.

The dog I walk does not look up at the passing geese. More and more I’m seasonally confused – remind me – what time of year is it? He tugs at the leash and lunges, hackles raised, bark, bark, barking his head off at other dogs – sometimes, not always, and never for the dog walker. It’s an at least twice daily reminder that life is difficult. This is the dog I got. This is the life I got.

The embroidered pouch slung across my shoulder once held coins for wending my way – sometimes the change exacted by the ferryman in order to cross the dark river, sometimes as shiny offerings for Demeter when she missed her daughter the most. Now it stinks of beef. I offer up hot dog chunks to the dog in hopes of rewiring his canine circuitry into something friendlier, more manageable, more normal. “Please god,” I say at least twice a week. That I have zero faith in our strategies – strategies paid for with bloody dollar bills, by the way – I can only hope has no impact on their efficacy.

Arriving home, I look out over the still misty ground to what remains of the now abandoned play structure. There, I can just make out the black, spray painted letters that spell out: ‘ZERO FAITH’. Probably scrawled during one of the boy’s passages through middle school. Could be a skateboard brand. Or a song. Probably also a declaration. It makes me wonder: does misery pass through the body’s code, along with hair color and shoe size? Please don’t answer, I already know.

img_2642Notes: This was written to an ‘object prompt’ in a writing class. My object was a black cloth zippered bag embroidered with flowers.

A lament is a bit like a rant in that it resorts to stylized exaggeration. A rant uses the lens of anger and irritation, while a lament is more elegiac. In other words, don’t take this as autobiography. It’s more like sharing a dream.

The novel referred to is, “Wreck and Order” by Hannah Tennant-Moore. I plan to post reviews on Goodreads and Amazon (and maybe here) and so I am ruminating about the novel. I haven’t quite finished, but can certainly recommend it. It is a stunning literary debut.

Finally, after reading this to my husband, he recommended not posting– not because it includes stuff about sex, but because it is so grim. Well, this may be unwise, but I trust all 35 of my readers to hold this a certain way.

Time and telling

 I once announced, “I’m a writer but not really a storyteller,” to which a friend replied, “You are a storyteller. You just don’t think you are.”

The grist for our tales can come from anywhere from any old day of the week: how sorting threads suddenly feels like a mission; the dog finding raw whole sweet potatoes in the woods and gobbling them down despite all your commands to the contrary; why waiting in yesterday’s grocery line was particularly tedious. 

Finn bit my neighbor last night. Here. Trying to watch “Brooklyn”. No blood or even teeth marks. But real aggression. 

“The Bite” could be a long story — one involving control, temptation, distraction, fear, and disappointment.

Or how about going to a friend’s husband’s house that is far away and not her house and watching the Patriots lose to Denver while eating chili made meaty and delicious with shiitake mushrooms. Texting my son in Boulder. Noticing how warm the winter sun looked on the football field. Wondering why relationships fail. 

I haven’t read Elizabeth Gilbert’s new book but I heard her say in an interview something interesting (but not original) about collective ideas and creativity. She asserted that our work is “out there” and maybe it doesn’t matter if the stories pick us or we pick them, but it does matter that we sustain our allegiance to them. If we don’t, someone else just might take ’em and run. 

And speaking of Jung, to close let me share a relevant moment of synchronicity. 

Remember two posts ago when I quoted Henry Louis Gates, Jr. saying that if critics didn’t like Styron’s version of Nat Turner, they could “write their own novel”? Well last night I learned that someone has. Nate Parker wrote, directed and starred in a new movie telling that very story.  It just premiered at Sundance.  

 

 

Mice and other distractions

I draw the line at teeth marks in the butter. But poison is a bad idea: the bodies rot between the basement joists or who knows where and though the smell is brief because mice have such little bodies and such delicate bones, it is a terrible stench.

Sometimes they fall into the sump well in the southwest corner of my studio. They can’t get out. They either starve or, if there are a couple of inches of water down there, they drown.

I hope this isn’t the wealth corner of my studio, but if it is, that would explain a lot.

I was down there looking for the lid to a carved African object that a friend gave me. The book I’m reading about babalawos and Ifa made me think of it. I didn’t find the carved African top. Instead, there’s Pikachu! Oh and look, a miniature plastic pram with little wheels that roll. Of course I think of Saskia, but unlike Nancy who recently mailed a menagerie from her home in California to Saskia‘s in Holland, I can’t give these away. Not yet, anyway. (No matter how much I would love to hear Saskia’s marvelous and inventive storytelling).

The African carving is embellished with two snakes, two fish, and a turtle. The figure’s face is stylized and mysterious. The bent body looks capable of holding up continents and storm clouds. But then again, the crouch gives off the impression of coiled power, as if it might at any moment spring forth to perform magic or juggle planets. Picture this: Pikachu on the window sill next to the lidless African figure. Ouch! “There’s my morning,” I think. I’m Pikachu hoping to learn enough about Yoruban divination methods to be able to write a credible and respectful chapter about same.

The lid is a monkey. I wonder where it is. It feels important, this morning, to find it.

If I am a synthetic, diminutive, cute plastic figure that speaks gibberish, I will at least give myself points for being curious.

And to be fair, that’s not my whole morning thus far.

I am waiting for Raffi who will see if he can walk Finn with two or three other dogs from the neighborhood. A big experiment.

(I know Raffi doesn’t have children, because if he did and he had spent even a FRACTION of the hours that I have spent in a vehicle listening to a singer by the same name, he would call himself “Rafe”).

Finn and I played fetch in a bitter winter wind earlier. I want him to have run off some of his enormous stores of physical energy before this novel experience.

Gusts of wind sent fans of new fallen snow off rooftops. It made me pull my hood up over my woolen hat. It was not a good day to have walked out without gloves. But I find gloves, leash, and treats a little unmanageable.

Up at the field, I thought about how the wind traveled across so many miles to arrive here in Massachusetts… gathering up cold from Canada as it swept across the Great Lakes… shoving snow and ice onto Indiana…. pushing tractor trailers off of highways in Pennsylvania and Illinois.

It’s okay to be a little cold. And to confess: it’s also okay to emulate writers I love. You should read how Mark Helprin describes wind in his novel, “In Sunlight and in Shadow.” It’s un-fucking-believable. I kid you not.

But back to the cold? My physical discomfort has a way of disappearing in the face of Finn’s unalloyed and athletic joy. His graceful sprints never fail to impress. He barrels in loops with this easeful velocity before scooping up the tennis ball and running back. Another loop, this time behind me. He barks after dropping the ball at my feet: ‘throw it again. Again! AGAIN!!’ His reserve of play-energy seems bottomless. It cheers me up, every time.

Pikachu, African power-figure, Finn, a bitter wind scouring the landscape. And somewhere, dead mice. Back to work!

* I just read that Pikachu is supposed to be a mouse. Who knew?!

 

 

 

Draft blockers etc.

Turns out all I really needed a break from was the news. The boys’ll be home next week and obviously things will slow over the holiday, but January feels like too long a time away. Been reading ‘my pages’ (though not much) and making draft blockers.


Shopping and wrapping gifts, of course, and making a few. Like last year, against all reason I find myself making dolls for the boys. 

…on occasion walking Finn from the CVS parking lot instead of from home, which I like in part because it takes me to this funky cottage.
Continue to train the dog. He’s gotten more reactive lately, though, and we can’t figure out why. I hide his food pellets around the house almost daily and command him: “Find It”!! It keeps him busy. Dogs like him need challenge.  Yesterday during a game of fetch which started out feeling like (yet another) dog-interruption and quickly became an exercise in joy, I heard my father’s voice (this doesn’t happen often, mind): “whatever you do, Dee, don’t get rid of this dog.”

‘Cause I still go there.