Tag Archives: Magnolia Plantation

gratitude and slavery

“If the only prayer you say in your entire life is ‘thank you’, it would be enough.”   
Meister Eckhart.

IMG_9153That shell and that driftwood came from Sullivan’s Island, SC. On the beach, which oddly reminded me very much of Martha’s Vineyard, I could look out to the east, knowing that Africa lay beyond the horizon. I wondered how many ‘recent slave imports’ did exactly that. I wondered what mix of bewilderment, rage, defeat, and sadness they might have felt. I acknowledged how little idea they had of what lay ahead.

Sullivan’s Island is where captives coming into the port of Charleston were quarantined for a few weeks before being taken to the auction block. During the very busy slave importation years of  the 18th century yellow fever, malaria, and small pox repeatedly and vengefully swept through the lowcountry. Any slave sick enough to die within the quarantine period was allowed to do so. It is heartrending to learn that a ten percent loss of cargo (read: African life) was deemed an acceptable margin in the slave trading business.
sullivan-islandWith the obvious aim of fattening them up for sale, the Africans were fed better during quarantine than at any time during the Middle Passage. They were groomed, oiled, and if plagued by dysentery (but not sick enough to die), plugged up temporarily with whittled corn cobs. If punished, they were paddled rather than whipped, for welts on the back signaled a wayward, unmanageable African, and would reduce his value on the block. There are reports of the sailors miming monkeys scratching their underarms to get the Africans to wash themselves. There isn’t much you can read about this island’s history without feeling sick.

There is no memorial.  Toni Morrison saw to changing that. See images of the Memorial Bench here.  [Update: just learned on a website called African American Charleston that in 1999, “On July 3, a 6-foot historical marker is placed on Sullivan’s Island near Fort Moultrie to honor those enslaved Africans who arrived in bondage via Charleston Harbor.”]

Right before I went to this trip to SC, I heard a sliver of coverage about how much slaves contributed to the building of the ivy league schools in the Northeast. Maybe it was a review of the following book by Craig Steven Wilder, Ebony and Ivory: Race, Slavery, & the Troubled History of America’s Universities:

Many of America’s revered colleges and universities—from Harvard, Yale, and Princeton to Rutgers, Williams College, and UNC—were soaked in the sweat, the tears, and sometimes the blood of people of color. The earliest academies proclaimed their mission to Christianize the savages of North America, and played a key role in white conquest. Later, the slave economy and higher education grew up together, each nurturing the other. Slavery funded colleges, built campuses, and paid the wages of professors. Enslaved Americans waited on faculty and students; academic leaders aggressively courted the support of slave owners and slave traders. Significantly, as Wilder shows, our leading universities, dependent on human bondage, became breeding grounds for the racist ideas that sustained them.

[from the Amazon page selling his book].

IMG_2454 renovated slave shack, Magnolia Plantation

So — for the beautiful quads that populate this neck of the woods, with their stone edifices, filigreed ironworks, brick walkways, and carved doors: thank you to the enslaved, skilled laborers. Thank you.

It sounds lame, the previous paragraph, but how much MORE lame would it be never to say thank you, never to acknowledge the contributions made? I am deciding to trust Meister Eckhart on this one.

Sweetgrass baskets

IMG_8160Meet Rose Marie Manigault, basket-maker extraordinaire.  She is holding the basket that I purchased from her at Magnolia Plantation, near Charleston, SC. There is so much to say about her work and methods and presence, but let me start by directing your attention to the poking tool in the basket on her lap.  It is a utensil (spoon? fork?) with the utilitarian end removed and the remaining stem blunted. Thinking about all the harm I do to myself while quilting, I asked if her fingers were calloused.  She said “no”.
IMG_8895As I watched her work, it was clear why she found my question puzzling (maybe it was just weirdly personal). She poked and tugged and wrapped with deft skill — no fingers harmed! Look at those incredible pine needle knots!

Her wares were lined up on a high table set up under a pergola draped with wisteria. It was a little too early in the season for the vine to be in bloom, but it couldn’t have been a prettier site — especially dovetailing, as the time did, with a horribly raw week in Boston.

IMG_8161Look at the variety! That central, smallish basket in the foreground is a pattern called “Elephant Ears”.  I learned that the baskets darken with age and that sweetgrass, once abundant, is becoming harder to procure.  Unlike osier and other basket-making materials, sweetgrass, palmetto, and pine needles require no soaking to render them pliable.

Many beautiful examples of African American basketry are collected in the Lowcountry Digital Library.  The knowledge about how to weave fanner baskets and employ them to winnow rice were two of the many African skills that allowed planters to amass fortunes growing rice with slave labor. The fanner basket below, is at the Charleston Museum, and is made of bulrush.
IMG_2499Here are a few more examples of baskets at the Museum.
IMG_2516 IMG_2517Ms. Manigault was kind enough to pose for my pictures and sign the bottom of my basket. Anyone presuming to take her picture without making a purchase was shoo’d away.  As a crafter (even absent issues of race), I could relate to this.
IMG_8896I haven’t quite found the right place for my basket yet.  But I will.  And it will be used.
IMG_8862  IMG_9156IMG_2440 IMG_8165IMG_8897Here is a link to Magnolia Plantation. I could not find a single reference, pictorial or otherwise, to Ms. Manigault or her baskets. Can anyone else?!!