Tag Archives: silk

the blonde

Last week, I tried to turn a sketch into a quilt, hoping to capture the same quickness of construction and freshness of line.  It was a disaster because I was trying to copy something I had already made and wasn’t really looking at the fabric.

Once I started looking at the fabric, and forgot about the sketch, the face kind of assembled itself.  Originally, I thought I would overlay this with some dense machine quilting.  Now, I’m not so sure.  One thing IS for sure -“the blonde” is designated for show/sale on December 3 at the New Art Center, so she will be finished within the week (when I have said THAT last?!!)

K thinks she looks a little like me.  I can see that, but she reminds me more of my mother, or at least, my mother’s generation during their toddler-caring years.

Looking for Redemption and Crying Wolf

The sagas go on and on, don’t they?  Started this crucifix series before “the flood” and why shouldn’t my particular saga have its biblical moments? Because what day doesn’t go by, really, when I’m not looking for redemption in some form or other? 

I am looking for redemption even on those days when it seems as though I am just trying to get through. I am looking for redemption even on my good days — and by that I certainly don’t mean times when I feel like the master of my fate — but rather I mean days when I have enough wherewithal to entertain the POSSIBILITY of accepting life exactly as it is. But here’s the thing, can one be —

”seeing things and accepting things exactly as they are”

and still find redemption? Isn’t wishing for a world in which every mess is an opportunity and every delay, packed with meaning, by DEFINITION, a state of non-acceptance (because, let’s face it, there ARE situations in which there is no silver lining to be found).


Well, anyway, there D. and I were yesterday, waiting and waiting for ‘the shoulder guy’.  It had begun to rain again, a status of weather that THIS week provokes a palpable dread. The patients were flying in and out all around us, but D.’s name had not been called at the 50 minute mark (I complained), or at the 65 minute mark (I complained again). Then after 75 minutes and after leaving, and after listening to D. ask, “Why am I here? This is useless” a few too many times, the assistant called us in. 

The assistant called us in just moments after I had written in two-inch letters on the intake form, “WAITED 75 MINUTES”, which of course made me wonder — had I written “WAITED 35 MINUTES” on the form 40 minutes earlier, would we have been ushered us in sooner? (You begin to see just HOW superstitious I am).

Anyway, I stitched on this piece for awhile, not for one moment asking myself to call in the Christ-energy of patience and not once noticing the disparity between image and mood. That’s how irate I was.

After 10 minutes with the doctor (who apologized so excessively I began to feel a little abashed), we scuttled off to X-ray.  And back.

And, OMG, the news was a little shattering (forgive the pun). What first seemed (to me) back in the dead of winter as one in a long series of whinge-fests, and then seemed (to the chiropractor) like a separated shoulder, turned out to have been a fractured collarbone. (Healed, already, I’m happy to report).

So, I apologized to D. (although not excessively). Then, after quietly pointing out that the amount and volume of complaints make it hard for me to pick out any particular one as needing extra intervention, D. and I devised a code for ‘this really, really hurts and I need you to do something about it’.  Our code is, “Mom, this is an 8.”

This was GOING to be a post about the basement and the progress down there and how the flood disaster HAS turned into this amazing re-shuffling, re-ordering, and investment in storage units that has me psyched and energized (in other words, an OPPORTUNITY). 

I was going to add something about the dynamics of dependence and understanding one’s personal style of attacking a monumental task (because dear reader, what most of you didn’t know is that my husband was in India for ALL of this, which provided additional OPPORTUNITIES for learning). Perhaps tomorrow I shall return to that, after another two inches of rainfall, unless, of course, I have my cherry-printed wellies on again and am threading the hose out the back door and trying not to cry.

Cultivating Curiosity

Curiosity
14th century 1 : desire to know: a : inquisitive interest in others’ concerns b : interest leading to inquiry <intellectual curiosity

After the post about feeling like a jerk for being unorganized, I have decided to offer myself at least as much “inquisitive interest” in how I perform day-to-day as I would offer a work-in-progress.

In quilting, I really have learned to look at pieces with a certain amount of curiosity and detachment, because I understand that my subjective stance, at any given moment, might undergo radical revision as I move along.  Further, I recognize that detached curiosity can be key to discovering HOW to move forward — in quilting.

And, more along these lines, why is it that I can offer another blogger (with children, lamenting the interruptions), the sage advice that ‘interruptions add up to a life’, while feeling desperate in my neck of the woods, as my time gets meted out in one caretaking task after another?!

Carolyn Myss says ‘there are no unimportant jobs’.  If, for even a fraction of a day, I can act as if there are no unimportant jobs, will I feel more freedom?  You can sense what my answer would be here …

A Sufi I had the privilege of spending a summer with at a camp north of here, put it this way (we were cleaning the camp’s bathrooms at the time):  “You can find God cleaning the toilets.”  I don’t think I understood this at 17.  Or, even, why one might want to believe it.

So, forget my little post about being a jerk.  Doing the best I can here.  Might even learn to trust some of my hesitations.  Readers’ comments about the two-sided nature of selling through stores helped pop this into focus for me — thank you all.

I kept seeing the ecru silk in the little abstract (former angel) quilt as a snowy hillside.  It wasn’t long before the upright rectangle in the foreground was begging for a roof.  The moon uses a piece of organza on which I had printed a picture of the World Trade Towers  — a photo snapped in the brief expanse of time between impact and falling.  Smoke was pouring out of the upper stories, as we all remember.   As surely, none of us can forget.

Although this detail is nothing a viewer would be able to know without my telling them, I am telling YOU, dear reader, and so now I can further suggest, that this piece assumes its humble and obscure place in a chain of works about memory.  The little house here is tippy, but secure.  It will hold.  It has survived the winter.  The shadow of events from 9/11/2001, are THERE, but barely recognizable — a mere cast of grey on the edge of the moon.  We get through.

And, boy oh boy, is spring around the corner.  Perhaps that is all I needed to write this morning!

Rearranging the pieces

That incredible constellation fabric was the ’tissue paper’ for my Christmas gift from a friend in Maine (Lisa makes bowties).  I needn’t tell you that the silk patterned with stars was gift enough!

Nearly all of these sections were pieced into three long-ish strips and made it up onto the board.

The stars only show up in small rectangles, though, meaning that the nice night atmosphere created by having a horizon line, did not transition off of this work surface.

I have been thinking that all of these sections may need to divide into TWO QUILTS — one depicting night and one depicting day.

about six feet tall

Clip art polar bearing (top right) is going.  Entire top treatment, in fact, to be revised.

Here you can see where some of the fish batik and dusty-blue rayon-shirt-spirals ended up.  I may have to dunk that ‘tavern’ swatch into tea for a couple of hours — it pops a little too much.

Here’s what I rearranged on the floor with remnants:

Mixing Up Fabrics

Pillow in progress

Pillow in progress

Making Felt Objects & Embellishments

Try mixing in polar fleece if you are working with wool felt.  It is much cheaper and can add interest with patterns and shadings.  It is just as forgiving as felt to sew.  In the flower mounted on linen pictured above, all the purples and grey are wool and everything else is fleece.  The two-toned leaves were cut from a striped pattern in fleece.

Recycling wrongly-shrunk sweaters and felting thrift store finds are two other good sources of wool felt.  Be sure a second hand purchase is 80 to 90% wool if you plan to felt it, and use hot water in the wash.  I recently bought Betz White‘s book, “Warm Fuzzies” for some great ideas on using felt — the wool cupcakes are especially fun!  She has a blog and a website, as well.

mostly-felt brooches

mostly-felt brooches

In the selection of fabric jewelry above, the black is a cut-up sweater and the soft purple (dotted with a gold-silk-covered button) was a wool, tailored jacket.  Jackets, I have decided, especially if lined, may not be worth the work required to cut them up (they tend to cost more than sweaters and the panels of wool uninterrupted by seams are smaller).

Color Therapy

It is amazing how many New England quilters resort to hot colors and tropical, summery prints in their winter work. img_3781 The view out of our kitchen windowsill and recently hung quilt demonstrate the contrast.

Martha's Vineyard Tile (quilt, 13 1/2" x 14")

Martha's Vineyard Tile (quilt, 13 1/2" x 14")

Red as Neutral, Uglies, and Rogue Fabrics

Three of the best fabric tips I can pass along are as follows:

  • Treat red as a neutral,
  • Buy ugly fabric, and
  • Include rogues in your work.

A guest speaker at a meeting of the Quilter’s Connection (a guild that now meets in Watertown, MA) offered the first tip, and I think I heard people gasp.  I didn’t believe it at the time, but subsequent experience has proven her right.  (If I track down who said this, I promise to come back and give her credit).

Ruth McDowell, quilter, writer and teacher extraordinaire, offered the second tip.  To look at her quilts is to be astonished by the fabric combinations, so I have followed this advice ever since (especially since I can’t/won’t ever be able to piece the way she does!).  I actually don’t have to work too hard at this because I am a scavenger at heart and all kinds of fabric comes my way that I haven’t consciously selected.  The point is, though, you never know when some repulsive print in colors you abhor is going to be THE right touch.

The last tip is mine, though I have to say it was exalted by the Gee’s Bend quilters long before I ever started quilting.  A rogue is a vagrant, a scoundrel or a mischief-maker.  A rogue animal is one that misbehaves.  So, to include fabrics that aren’t quite part of the plan, or don’t quite look like they belong, is to follow the rogue rule.   (I suppose it is a corollary to the ‘buy ugly’ rule – and meant to expand one’s choices).  And, by the way, even if one is an ‘improv quilter’, one can follow this rule by selecting a piece of fabric that is not in the picking pile.

Below is a quilt where the red serves as a neutral rather than as an accent and the black is a rogue, although I’ll admit I’ve used black as a rogue often enough that it has become formulaic — and certainly, a formula cannot be a rogue!!

K's 2007 Christmas blanket

K's 2007 Christmas blanket

Supplies and Goodbyes

One of the great things about being a quilter is that when people have fabric to unload, they think of you.  It is only recently that I have begun to say ‘no’ because of space.  Today, I received the most gorgeous selection of fabrics from a friend returning to Japan that I am humbled — not just at her generosity and the exquisite quality of the fabrics, but at the whole notion of abundance.  With the economic news so uniformly and unrelentingly negative, how lovely to receive this bundle!!  Good luck Yoko!!  I don’t think I will be able to cut the silk obis, but if I do, some creation will be packaged and sent to Japan.

Clearly, being open to receiving whatever fabric comes your way doesn’t just expand your palette (and sometimes help satisfy the Ugly Rule), it can also open you to treasure!

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full-moon-japanese-fabric