Tag Archives: “fiber art”

Boundaries and interruptions and a red thread

C peeking out

C peeking out

Parenting means being interrupted. And it means improvising.

D itching under cast just like the doctors said not to

D itching under cast just like the doctors said not to

Long gone are the days when I craved a solitary bowel movement, or wistfully anticipated the reclined dentist’s chair for the quiet it represented (those were intense times — with two extremely active boys, neither of them particularly inclined toward napping!!).  With a seventeen and a nineteen year old in the house now, the frequency and urgency behind the interruptions have changed, but the fact of them has not. They continue — as they should.

Add to the parenting — a disabled sister for whom I am the sole support (my brother sends money from the West Coast, and that helps, but NOT with the day to day) and a husband who travels often to Asia, and you begin to get the picture here. Our dog is a piece of work, too – requiring special accommodation for getting up and down stairs, for the correct positioning of his food bowl, and a three-person-applied muzzle for basic grooming. Lately, he’s been ill (I think he’s better, but not quite sure).

Relax! I have already ranted in my Morning Pages. This was done while drinking coffee in Newtonville and waiting for the camera shop to open, so that I could purchase photo paper for D. and then deliver it to the high school (speaking of interruptions)…

(I would love to know what the business types in the coffee shop thought of this deranged-looking woman scrawling across a notebook page in ink nearly as fast as one could speak the words…)

And anyway, if I was going to rant it would be about our fucking computer ‘upgrades’ which have produced a series of repeating and ever-unfolding glitches, such that it is nearly a form of torture to blog (one of the reasons for the gaping pauses of late).

No, I would rather look at boundaries.

White House with Red Boundary

White House with Red Boundary

Last night, I surrounded the White House with an edge.  It really changes the composition, perhaps in too obvious a manner, but I’m willing to entertain it for awhile. Study it some. The thread is red, it is true, but it doesn’t scream red. Maybe that’s because it was hand-dyed in India and billed as “Meditation Thread”.

Maybe it is because there is relief associated with having boundaries. From knowing where the house ends and the sky and yard begin. Recently I have learned the difference between asserting ‘a need’ and shouting a demand.  I discovered that need does not have to be associated with basic survival.

Remedial insight, perhaps. But I share it here because I think it governs my response to this red.

The sky poofs and tuckers in places and will require some attention. I find a lot of quilting to be (in my case, anyway) the resolution of problems created earlier in the process. Not unlike parenting, yes?

buckling-sky

buckling sky

As for the bump in the bottom edge and the frayed intersection of the thread-ends, I am going to let those be for awhile, too.  I like the idea of an imperfect boundary, or one that flexes to its surroundings. I like the idea, too, of having an obvious place where the boundary’s ‘gate’ resides, so that it does not come across or function as a solid and permanent fixture. Maybe having had a swinging door for so long makes the idea of a fixed boundary too difficult.

when the edges meet (and a bump)

when the edges meet (and a bump)

In any case, it is food for thought.  And, here are some red lines from the garden this morning. Once you start seeing a red line, or a window (right, Jude?), or a bird in your work, you start to see it everywhere.

red lines as stalks/support

red lines as stalks/support

Around the other side of the house, rhubarb is ripening! Almost time for my annual Strawberry Rhubarb pie. An exception to 2013’s gluten-abstinence will have to be made!

Dreams in white

Dream-Strips-on-Black

how white dreams look on black

Dream Fragments, 1992

a rack full of gorgeous crepes, including a deep blue jacket
on an ice floe, some are designated swimmers
a jewelry maker – silver, moss agate – I wrap her goods by folding them up in a display cloth
someone hands out bundles of electricity
between the floor boards — treasure!  loads of quarters and some wind chimes
walking through the woods with Warren Beatty

strips-all-toplit

top lighting

strips-backlit-agate

back lighting

strips-backlit-treasure

Vertical dream-strip piece

To me there is something powerful about ‘whitening’ a chunk of personal narrative.  I’m not sure why.  It may have to do with aging away from drama.  It may speak to the non-linear qualities of memories – how they can be rearranged, fragmented, or removed from the frame altogether.  Or, it could be that the ordinary domestic process of stitching fragmented stories back together reenacts a healing process.

All that may be so, but right now, the power lies elsewhere. Working with  fragments of a life (my life) in a manner truly lacking any ‘charge’ (in fact, in a process akin to mindless doodling) gives me a kind of casual dominion over these journal entries. I’m not studying them. I’m not trying to read them forward or backward.  They are just there. They are just there in a way that I might like to just be here.

So it’s not that the meaning has been mostly stripped out that lends this exercise its freeing potential, but the fact that the meaning remains and I am not reacting to it.  How liberating to employ an artist’s eye, viewing snippets of my life as abstract rectangles of cloth! No judgments in sight. Even as I read “Will I go all the way? With Warren Beatty?!!”

two-dreams-handst-toplit

Square dream-strip piece

I am not sure I am making any sense.  Or whether this is even a good thing.

But, here I am.

And here are a few practice notes.  Using a Pitt pen, I scribed seven dreams from a 1992 journal onto two pieces of nicely pressed muslin — one swatch bleached, one swatch unbleached.  Unlike the last time I used scribed strips, this time, I wanted at least some of  the phrases to be legible.  The five dreams were composed into a vertical piece (with no batting) and two other dreams were composed into a square piece (with the traditional three layers of top/batting/backing).

First, I applied a grid of machine stitches to adhere the muslin in place.  Stitch, stitch, stop at an end, pivot the needle, travel a short distance to beginning of next row, and stitch, stitch, stitch a parallel line. Foot up.  Foot down.  Clap. Clap.   Some variations were generated when introducing the perpendicular grid.  Pivot.  Foot down.  Foot up, pivot.  Rhythmic machine stitching in front of a window, alone in the house.

Square dream-strip piece

Square dream-strip piece

two-dreams-handst-toplit

Square piece – with running stitches begun

Then I stitched by hand.  White thread, or off-white thread.  I had some loose rules as I did both of these things (tracking lines in parallel, avoiding stitching over a penned letter, stitching out bumps) which enhanced the relaxed approach, as few decisions were required.

I’m almost done with the square one.  The vertical waits for hand-stitching.

Lastly, here is a teaser — this also was stitched this week.  I am using a similar process on this antique silk Japanese sleeve (more on it later).

first a grid, then free-motion

first a grid, then free-motion

hunkered down

The snow started in a light flurry.  Big flakes, so it must have been warm.  I ran to the store because although I don’t get into that pre-storm shopping frenzy that empties shelves and renders lots a tangle, it seemed like a good idea.  Everybody must have shopped yesterday, because it was a ghost town.  The snow has come down steadily all day, but only a few inches have accumulated.
baby-chairOur local schools were closed.  My husband’s office was closed.  And the T stopped running two hours ago.  It seems a little over-reactive, but then, you just don’t know with these big storms anymore.  And anyway, I understand the bulk of the storm is due to arrive tonight.
Natives-first-thingHere are my plaster friends before I went to the market.Natives-middayHere they are midday.  I could see them from where I was pressing seams.Natives-pmAnd here they are in the gloaming.
Progress is being made (that is, “I am making progress”) on the second barn quilt.

rooflinesThe rooflines have been tricky.
western-windowsAnd scale matters so much.
The FIRST barn, dubbed, finally, “Blue Hills Barn”, is hanging at the B.J. Spoke Gallery in Huntington, NY, thanks to my cousin, Ginny.

Blue-Hills-Barn

I had to scurry on Monday to get it trued, bound, signed, sleeved, and photographed.  sleeves

yours-truly

blue-hills-barn-mantle

I include the above picture for scale, and also to note that if it doesn’t sell, I won’t mind having it back to hang exactly here.

soup

And finally, what a good day it was for homemade chicken soup (is there EVER a day that is not good for homemade chicken soup?!)

Stay warm all you readers under the same Arctic air!

where the water goes

trees-in-the-water

Today’s On Point radio program (with Tom Ashbrook) focused on how the lowered volume of the Mississippi River is forcing businesses to find alternatives to river travel…how the federal government can’t sufficiently address the problem even on the micro-level of funding a study… how water might become the precious commodity that oil currently is (on this point, one caller queried, “why else would Ted Turner be buying up 1,000’s upon 1,000’s of river front properties!!?”).

This quilt is called “Long Island Blues” because it was pieced while waiting to hear how friends and family on Long Island fared in the aftermath of Hurricane Sandy.

Because the quilt is more about rising water levels than about the destructive winds and tides of these increasingly common giant storms,  the composition has a quietness to it.  There is nothing quiet about what is happening, of course.  We should, as a nation, be acting like those poor orcas trapped in the Hudson Bay, breathing out of a ridiculously small area of open water — arching, leaping, arching, leaping for air in pure panic.  Instead, we are still trying to fend off those who say climate change isn’t real?!  And still making excuses for the failure to SPEAK OF THE PROBLEM, because it is political poison?!

I can hardly think of a situation that could be more pervasively or profoundly demoralizing (oh yeah, which reminds me, I’ve committed to being more CHEERFUL in 2013).

My younger son had to write an essay about the ‘American Dream’ last week – what it is, how his relatives may have lived it, how he views the idea as it relates to him.

“… the American Dream is an illusion,” he started out.  “It may have existed at one time, but it doesn’t anymore.”

Remember when scientists (I’m talking pre-Rachel Carson, or her contemporaries) thought that technology and innovation could solve anything?   The generation of kids approaching adulthood are not afforded that optimism.

long-island-blues

“Long Island Blues” before stitching

Perhaps it is setting myself up for failure to ask that I become more cheerful.

Perhaps it would be more realistic to figure out how to bring my heart and soul to the problem of global warming in a whole new way this year (and mightn’t that make me feel better? maybe not more cheerful, but more engaged, more useful…)

… posting lamentations online hardly counts as anything;  making quilts of grief hardly counts as anything.

Have you made any commitments toward being less of a consumer this year?  If so, what?


P.S. “Long Island Blues” features antique linens that were gifted to me, linen and silk that I was allowed to take from the scrap pile of an upholsterer (some of which I dunked in my indigo bucket this summer), a skirt that I bought at the warehouse that receives goods after they don’t sell at Salvation Army, a repurposed piece of a Tibetan Prayer flag, a shirt from Supersavers that also went into the indigo vat, three small chunks of quilting cotton bought at a fabric store, and lastly one piece of blue and white linen bought in the Fashion District of NYC about eight years ago (I still have a little more left!!)

catch up

woven-in-tree

woven exercise from Jude Hill class made into ornament

aqua-window

wool, cotton, and silk fabrics for this one

windowsill-pins

cupcakes and tea pots lining the windowsill

grey-tree

I had fun stitching the snowflakes

this one hails from Montreal

this one hails from Montreal

turtle-hung

tabs have since been finished

turtle rolled and ready to ship

turtle rolled and ready to ship

niece's choral group - Handel & Haydn Society from yesterday

niece’s choral group – Handel & Haydn Society from yesterday

I’ve been on a tear making cloth trees.  Next up?  A few aprons.  I am looking forward to a Cookie Swap this Friday, to C. coming home next week, Christmas, a couple more festive gatherings, and, at the end of the month (oh I can’t wait) – my second cortisone shot for right thumb.  Hard to do some of the basics lately.  Fortunately, can still sew.

Tomorrow is a doctor run with my sister.