Tag Archives: moon

Adding mountains, vines. Finding hearts.

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This small landscape was simple and now is less so. Adding black sheer along the horizon to suggest hills, but they look like roof tops as well. Another two houses crept in on the left, but since those structures share fabric with the hillside behind them, they are a little ambiguous.

20130910-133336.jpgAnd this was the White House of Privilege (in response to the Zimmerman acquittal), then it became three other houses, and now it’s looking like it’ll be just be a pair (neither the original ‘White House’). Vines have crept in.

The vines were inspired by fiber artist Kit Lang who made two Trayvon Martin quilts, one of which she titled, “Strange Fruit” after the famous Billy Holiday song about lynching. Kit’s comments and questions to me about using fiber art to express outrage and grief were provocative, and I appreciated her feedback and willingness to go a little deeper with me on the topic of race and privilege.

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And this piece of garbage caught my eye walking home from the periodontist this morning.  As blogging continues to be a challenge (ongoing tech-glitches and other obligations — nothing new or out of the ordinary), I shall use this found heart to wish you all a peaceful, uplifting week.

meditation on germs and used Kleenex

found-fiberI am perpetually picking up ‘garbage’ on my walks, as I know many of you do, too. Generally, I go for rusted scraps. This find may be Kleenex. I know. I know. Gross, right? But – it was so old, so weathered out of its original use (if, indeed, it had ever been used), that I didn’t allow germ-worries to interrupt my scavenging.

People who know me ask, “When have you EVER let worry about germs slow you down?”

grey-fiber-on-grassI have a long history of being rather casual about germs.

Perhaps it’s because my mother was a lapsed Christian Scientist. She wasn’t averse to doctors or anything. Nor did she instruct us on the powers of love or the mind. But she did seem to think Vick’s VapoRub and aspirin could cure most childhood illnesses. I don’t think I ever heard her say, ‘Put on a hat or you’ll get sick!’  Nor were we issued dire warnings about death-producing cramps when we jumped into the Woodlin Club pool right after eating lunch. Most of all, she did not instill the notion that germs were lurking everywhere, just waiting for the unsuspecting, unhygienic to stumble or swipe into their sick-producing path. On some of these things, she has been proven correct. Regarding germs, though, of course I now know better.

But here’s the thing. Even though I now wash my hands more and will avoid someone sneezing up a storm, I keep bumping into germ-protocols that surprise me. Still!  (To my credit, I’ve always been scrupulous about cutting boards, knives, and raw meat)

The first time this happened, I was about eight. On a really hot summer day, my friend Susan’s mother took us to Jumpin Jack’s along the Mohawk River for ice cream.  I remember being absolutely shocked when Susan’s mother prohibited her from eating the flat bottom of the cone. Why? Because it had rested momentarily on the counter. (As a side note, given that Susan’s house was the messiest (and perhaps the dirtiest) on our block, I found myself wondering how this strict concern fit with her mother’s rather lax approach to housekeeping) (and yes, eight year olds DO think this way). This was just the first of MANY shocks.

The Seinfeld episode on ‘double dipping’ was a revelation to me.

When it came time to parent (nursing for a total of 32 months, I was now hyper-attentive to keeping my hands clean), I found the joke about the ‘five second rule’ ridiculous. It was not a joke for us, but a natural response to fallen objects. The birth order jokes about pacifiers? You know how it goes — boiling for the first kid; wiping off for the second; just popping back into the mouth of the third… did not pertain because ‘popping it back in’ was where we started.

Years later, in an online craft venue — I was shocked again — reading about a potential buyer who would NEVER buy a handknit item, say, if it had been modeled on a person (with skin! that flakes! is redolent with oils!)

Shocked once more to learn that Martha Stewart NEVER sets her handbag on the floor. Furthermore, she buys purses with metal studs on the bottom to keep them slightly elevated from WHATEVER surface they rest on (really? public bathrooms, okay, but everywhere?!) Even though I take all of Martha Stewart’s ‘perfect’ lifestyle choices with a massive grain of salt, (given the minions she has to clean her toilets everyday, for instance, and prepare her much-touted, healthy fresh juices), I can’t help but look at my purse and wonder where it’s been.

Here’s the most recent example. Just a few weeks ago, in writing class I listened to a character sketch of a woman whose signature trait was vulgarity. I asked, curious, ‘what made her so uncouth?’  The example?  The casual (but apparently repulsive) habit of sitting on her shoeless foot. On furnishings. In a movie theatre, so close to other people.

Maybe it was a bare foot, but still. I do this ALL THE TIME. So, I have to wonder, “What ELSE am I doing that is considered repulsive and unhygienic? That I’m not even aware of?!!” (And, just so you know, I cannot sit in most adult-sized furnishings comfortably WITHOUT tucking one or both feet up and under my haunch).

So, I get it. Picking up a potentially USED piece of Kleenex off of Week’s Field is gross.

But I fell in love with it.

grey-fiber-on-grass

grey-stitchedIt is delicate. Friable. And even though it is so delicate, it reminds me of the metamorphic rock, gneiss. It could pass, in some views, as a section of an old topographical map.

I put batting behind it, then, after stitching, clipped some away. I like how the furriness of the batting (normally an annoying distraction) adds to the texture.

grey-house-and-moonsSince this backing print is thick – perhaps cotton duck? —  I machine stitched. The scrap is sewn on the WRONG side of the fabric to dull it down a bit, but photographed up against a window, the print comes through clearly. I added a sheer moon, and couldn’t resist slipping a little blue linen under the leaf-shaped ‘window’ in that sheer. Lo and behold! I had not seen or intended it – but there it is – another house!

found-house-up-closeThe light coming through the needles punches makes me happy. Here the house looks nearly charcoal-black because of the setting on my camera.

where does the color go?

threesomeHere are three exposures of a small quilt pinned to a curtain covering an eastern window.  Early morning light.  Not summer sun, but not winter sun either.  Opening the aperture gives the impression that the color is fading into white*.  But it’s more than that.  Back lighting the piece lets what resides in back to shine through.  I like both these ideas — fading into white and the hidden-coming-forward.

What is happening when ‘what is behind’ shows up? Could it parallel the Jungian process of owning the shadow?  Claiming a long-fended-off weakness or strength?  Could it be a metaphor for hearing from ‘the other side’?

Orbs-front-back

I ask the otherworldly question because of that wool challis.  Well, that and because of need.  Sometimes in life, we just need our mothers.  It’s so simple a thing.  And so complicated.  And it’s true whether she’s around or not.

That maroon floral challis comes from a scarf which in its original, drapey, and fringed incarnation, belonged to my mother.  I wore it for a while after she died.  It was moth eaten on the edges and eventually I felted it and let it take its lovely place in my scrap bin.  Clearly, it means something more than ‘fuzzy’ and ‘maroon’ to me.  Placing a moon of my mother’s fiber above what to me is a mysterious door is no accident.  I have been thinking about her a lot lately.

Years ago when I showed my mother this tiny Gap vest (below), purchased while D. was in utero (middle boy in photo), she said, “Oh!  You’ve found his palette.”  That was signature Mom — pointing out the centrality of color to life and perhaps specifically to Mallon-life;  assuming we all have palettes;  recognizing that a mother might intuit her child’s colorways, even before he was born.  It was one of many moments in her last weeks that juxtaposed new life with dying in an excruciating way.

nostalgia

I’d give almost anything to hear one of her honest and shrewd observations right now – no matter how brutal.  She had a knack for that.  Making pithy observations that knocked you over.  In the moment, I might hate her…  insist she was wrong… loudly argue back or scoff at her sources.  But many times out of ten (I refuse to quantify), I’d have to at some later point admit that she was right — even when the source was Cosmopolitan Magazine (Damn You, Mom!!).

Sometimes the judgment was something I could run with.  It all depended.

So, yeah (as my nineteen year old might say), I have been wishing for my mother’s ‘take’ on things — specifically, on this messy business of parenting teenagers.  Once we got over what would undoubtedly be her smug satisfaction at my getting a little of what I dished out, I’m sure she’d have valuable and specific insights to offer. She’d say things I haven’t thought of yet.  She’d offer reality-based optimism that would make me feel better and would make me feel better about my kids and their futures.  She’d call me a worry wart and laugh.  Pearls of wisdom would be dispensed like sticks of gum (no big deal).  She’d casually address every single thing that is ‘up’ right now — resilience (or its absence), stubbornness, fear, and the unpredictable paths of talent — without having to ask a single question.

Learned-optimism

February 13th marked the 17th anniversary of my mother’s death.  I only know the number of years off the top of my head because she died five weeks before D. was born.  Right now, I always know how old my boys are.  Seventeen.  Nineteen.  I suppose that could change, like everything else does.  I hope not for a long time, though.

Red-ribsThis hung on the west window of my bedroom last week.  Here, red threads were stitched in prayer (as has been talked about here and there on blogs that matter to me (links later)).  This thread was dyed in India, purchased in Colorado about this time last year, and stitched onto white, then covered with a grey/white silk.  You don’t really see the red lines when the cloth comes off the curtain.  They’re still there, of course.

That says something on this topic of mothering, doesn’t it?  Something about the strands of love that connect us, whether we see them or not, whether they’re live or remembered.  These red threads could also represent the strands of genetic code that determine, in part, who we are… representing that strange, perplexing and miraculous way that some aspects of person get tugged through the generations… binding one group to the next (and the next) whether willing or aware, or not.

And then again, it is a series of red threads.

* Like yesterday’s post, “Meditation on White”, I am inspired here in large measure by the online class over at Spirit Cloth

chugging along

blue-hut-startVacations (not mine), house cleaning, appointments, arranging college tours, two birthdays, SAT prep classes, allergic reactions (also not mine), snow, snow and more snow (and possibly MORE snow starting at midnight tonight).  Through it all, virtually no blogging, but a fair amount of stitching.

This b-day card for my younger son started with the central rectangle, which had been zig-zagged together at some much earlier moment.  The upholstery sample seemed a good base, picking up the check pattern of the ‘windowed’ linen.  For the roof and background, I used cloth that had been immersed in the indigo tub last summer.  Pairing almost anything with indigo-dyed cloth makes me happy these days, I don’t know why.   blue-hut-pinsSince D. is a Pisces, a bit of batiked fish seemed appropriate, and the cotton lawn in my scrap basket formed lovely, wrinkly moon and butterfly shapes when cut.  The pink linen backing is from a tunic that I used to wear.  This ‘card’ needed to carry a bit of me.

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I was determined to keep the butterfly simple.
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But, I could not resist adding ANOTHER backing cloth which adds a fair amount of additional graphic interest.
blue-hut-quilting

It is very nearly done – as are ‘cards’ for my older son (they were born two years, three days, and 15 minutes apart!) and for my husband (his is a Valentine).  More on those soon!!

simplicity vs. chaos

Start with a built-up cloth.  Decide ‘it’s too busy’.

remember this? WIP pinned to finished quilt

remember this? WIP pinned to finished quilt

Split, divide, rearrange, extend, amplify, simplify, repopulate, weave and KABOOM, back to chaos.  Here is the journey in pictures.

cut in half - Left side

cut in half – Left side

cut in half - Left side

cut in half – Right side

three-heart-eaves-and-rings

adding 'tiles' to give appearance of weaving

extending borders, adding another nine patch

extending edges; adding back color and form

extending edges; adding back color and form

Speaking of the desire for simplicity – I am just loathing wordpress right now.  Why can’t I just insert pictures and easily move them around?!

Stuck with some chaos for now it seems.  Choosing it, even.