Tag Archives: boston

snowed under

IMG_7638There is so much that I want to write about — storytelling, historic research and how synchronicity can make it exciting and affirming… recently discovered facts about the year right before the Lucas family left Antigua, which changes my view of their decision to leave the small Leeward Island quite radically and feeds later scenes with a specificity that I just love.
IMG_7644-0But for now I am literally snowed under. It just keeps coming. There are calling this steady slow accumulation an ‘event’ rather than a storm, but the mind boggling part is how much more may fall: POSSIBLY TWO MORE FEET!! I managed to get up to Salem yesterday, the first time in two weeks — the visit being squeezed between snow storms and snow events. (That’s my sister’s ‘sidewalk’ below).
IMG_7687It seems odd to write this, but there’s an upside right now to my sister being practically a shut in  — and that is:  this weather has very little impact on her. I arrange for groceries to be delivered and worry about her slipping on her iced up sidewalk should she go out to check her mail. But otherwise, not much changes for her.
IMG_7649The city will be shut down tomorrow (again). Schools closed everywhere (again). The T will run on an abbreviated schedule.  K will work at home. This interim time of puppyhood / snowstorm continues weirdly unhinged from former routines — most notably sewing and writing.

But, this morning I was up at four and did write (I love the quiet of the early hours!) and was out of doors walking Finn by six-thirty. There’s a lot to be said for these forced marches, even if they are complicated by gloves, boots, specialty leashes, treats, dog doo, etc. The bracing air and the quiet streets have a way of feeding the soul.

Tomorrow is my birthday, which means I am thinking of my mother.

Because it rained

20140729-082526-30326986.jpgThank goodness it rained on the last Sunday in July, because instead of taking a walk that morning, I went to the MFA.  It was the last day of a quilt show that it would have killed me to miss.
IMG_4648There were about six rooms of beautiful traditional quilts, with a lot of text about the collectors and the quilters’ use of color.  Another friend of mine took exception with how little was said about the MAKERS and how MUCH was said about the collectors.  I spent almost all of my time looking at the quilts, so it wasn’t something I picked up on.  Before I judge the exhibit on this basis, I would want to know what, if anything, they knew about the crafters.  It’s very possible that in the case of many of the quilts, NOTHING was known.

a whole room of Amish quilts!

a whole room of Amish quilts!

In what little text I did read, I noticed an repetitious emphasis on the use of color (we get it! complimentary colors look good together!!) and a real lack of information about the technical structure of the cloths.  Gorgeous trapunto and stippling went without mention; one quilt supposedly had discharged cloth in it where I could find none.

feathered diamond. Penn. 1890's

feathered diamond. Penn. 1890’s

But! I still thoroughly enjoyed the show and firmly believe that quilts belong on the walls of our art museums — and not just the magnificent Gee’s Bend quilts, either.

All the photos were taken with my phone, so please indulge the lack of focus!

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bold and dynamic use of plaid

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An entire room of variations on the Log Cabin pattern was my favorite part of the show, not only because of the quilts themselves, but because the grouping revealed how profound an impact color/value choices have on design.  All the quilts in the room used the very same pattern and yet were radically different from each other.

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unbelievably small strips!

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20140729-082527-30327633.jpgThis was one of many beautiful nine patches in the exhibit.  The show made me appreciate the uses of white when making patterns and colors sing.

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woolen, tied quilt — nine patch and rail fence

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Another Nude — SoulCollage Card — Fertility

Fertility -- Council Suit

Fertility -- Council Suit

Just made this card — a celebration of fertility — in all its beauty, moisture, flesh, and mooniness.  This card has a parallel in the Major Arcana of the Tarot Deck– The Empress, No. 3.  Here is that card from the Rider Deck:

rws_tarot_03_empress

There are some similarities — the watery background (waterfall vs. bayou), the inclusion of grains (wheat vs. corn), the red drape, a seated female.  The primary difference lies in time of day — mine is all about the dark.  This ties my figure more to the classic associations of dark/female/unconscious.  It makes my card’s female a little juicier, I think. Perhaps more about the drive to procreate and the act of procreation, and less about the raising of offspring.  Both, however, are seated in their power and fertility.

In putting this collage up for viewing, I am thinking more about blogging and less about archetypes, however.   Somewhere I read the suggestion of putting “Waylon Jennings” and “taxes” in one’s tags to drive traffic to your blog.  I bet these days Sarah Palin might work, too.

From my own blog experience, adding any words relating to sex brings traffic.  According to the dashboard on my wordpress sidebar, the consistently most active posts of mine are the following:

  • Nude thread drawing
  • Mammogram quilt
  • Birthday buns.

The pattern is a little disheartening.  Based on my small sampling, this post ought to be an active one.

The female figure, by the way, comes from the Boston MFA’s press release on the current exhibit of 16th century painters from Venice.  I hope to go!

To read more about the exhibit, here are two links:

the bostonist
enticing the light

And here is a link to a blog discussing The Tarot and other spiritual matters (thank you for The Empress image!) —

Magic of the Ordinary

Maybe tomorrow, thoughts will return to the image.

Hiatus & Newton Open Studios

Sinead O'Connor picture at the MFA

Sinead O'Connor picture at the MFA

After living in the Boston area for 23 years, I finally managed to see the ‘Art in Bloom’ exhibit at the MFA.  Well, sort of.  I had an hour and it was really packed, but I saw a few and marveled over a them and took a couple of pictures…

The bouquet for this picture was amazing (my picture of it was not) — with a spiky plant capturing the stubble, an orchid for an ear, and a massing of white roses for the skin and purity.  I think this was a Ritts photograph, but I’m not sure, and I’m sorry I didn’t see who made the floral arrangement either.  The photograph is very large, which adds to its impact — roughly 3.5 to 4′ wide.

Newton Open Studios is coming up!  On May 16 and 17, my home will be open from 11 to 5.   I have lots of new work, and two other artists will be here — Dan Wiener, who makes incredible ceramics and Maria Mizrahi, who fashions tropical nuts into funky, chunky jewelry.

So the blog will be quiet until after that  (I always work right up until the last minute).  Everything for sale in my etsy store will be available here.  If time permits, I’ll post some pictures.